https://fullfamilyincest.com/tags/freeze/ Sun, 27 Sep 2026 22:37:33 CEST https://fullfamilyincest.com/video/5075/no-one-was-supposed-to-be-here/
SCENE OPENS on Jack (Johnny Goodluck) and Leo (Robby Echo). They are in the car looking out at a house on a residential street. Leo is nervous about what they're about to do, but Jack reassures him, stating that the door is unlocked and the family won't be home for hours. They slip ski masks over their heads and get out of the car. CUT TO TITLE Jack and Leo cautiously approach the home and open the door, going inside. They take off their ski-masks and look around, getting a sense of the place. They are clearly there to rob the house. Thinking that they are alone, they make no effort to speak in low voices. Just as Jack and Leo turn around to go their separate ways, they freeze, looking at something. Leo looks shocked and panicked. Jack appears shocked as well, but also a little curious, almost intrigued. Standing in the living room is a young woman, Maggie (Candice Dare), a cleaning rag and spray bottle dropped to the floor in front of her, forgotten. She is frozen in total fear. Maggie is a maid who the men did not anticipate being home. Leo is in a panic while Jack is calm but frustrated at his partner as they try to figure out what to do with Maggie. When Jack asks Maggie what she's doing there, since she usually only comes in later, she says that she came to the house last night and stayed over. She does this once a month to do a big clean-up. In a desperate attempt to get herself out of this precarious situation, she offers to fuck both of them. Leo is reluctant, but after some convincing from Jack, he gets on board. Even though no one was supposed to be there, it doesn't mean Jack and Leo can't have a little fun... ]]> Tue, 29 Oct 2019 03:39:33 CET https://fullfamilyincest.com/video/5075/no-one-was-supposed-to-be-here/ https://fullfamilyincest.com/video/5052/resisting-arrest/
Officer Sonia Kapelli (Abigail Mac ) is sitting in her car watching the wretched world go by when she gets a call from a dispatcher about a vandalism in progress. When she answers the call, she sees the troublemaking teen, Zoe Willis (Kenzie Reeves), adding the finishing touches to her graffiti masterpiece. Zoe is alarmed when a cop car suddenly starts speeding down the alleyway where she's working. She drops her spray can and legs it, hoping to outrun the long arm of the law. But as the sirens scream and engine revs, Zoe doesn't like her chances. OPENING CREDITS By some stroke of luck, Zoe's able to duck around a corner and lose the pursuing officer. She rushes into a nearby warehouse, relieved to have dodged that bullet. After she takes a few moments to catch her breath, she removes another spray can from her satchel, ready to continue her mission. 'I wouldn't do that if I were you.' Zoe freezes in her tracks, slowly turning around as Officer Kapelli approaches. She oozes authority, which triggers that rebellious side of Zoe to flare. She tries to run but stops when Officer Kapelli orders her to freeze. She's compliant when Officer Kapelli pats her down to check for any weapons but becomes suspicious when Officer Kapelli starts manhandling her. Zoe knows the cop is rougher than she should be and protests, but the protests fall on deaf ears. Zoe becomes cockier, angrier, as she challenges Officer Kapelli while being handcuffed with her hands behind her back. What is she being arrested for? Vandalism and trespassing, when REAL criminals are on the streets? THESE words seem to be what makes Officer Kapelli see red. What does Zoe know about how the world REALLY works? Zoe doesn't stop. She's under the cop's skin now and pushes even further... until she makes one harsh comment too many. As Officer Kapelli's expression darkens and her eyes become predatory, Zoe knows her luck's finally run out. ]]> Tue, 03 Sep 2019 03:31:33 CEST https://fullfamilyincest.com/video/5052/resisting-arrest/ https://fullfamilyincest.com/video/5064/nerd-s-breaking-point/
Delores (Emily Willis), a nerdy high schooler is approached by her longtime bully, Nikki (Gianna Dior). Delores freezes, obviously terrified. A shadow falls across her back as Nikki steps up behind her. 'God, how have I put UP with your UGLY-ass face since we were 13---for FIVE whole years now?! I mean, I hate EVERYTHING about you. Even those dollar-bin glasses,' Nikki says, grabbing the glasses from Delores' face and smashing them on the ground. Nikki walks away laughing. Delores stands there for another moment, shaking, her fists clenched with anger. Suddenly Delores' fury boils over and she finally let's go, unleashing an ear-splitting scream of rage. OPENING CREDITS A few days later, Delores sits in the driver's seat of her car. Her glasses are taped up. The door is open and she sits half outside with her feet on the pavement. She seems expectant, glancing up often as if she is waiting for something to happen. Finally, she seems to see what she's been waiting for and reaches over to the passenger seat, grabbing a bottle of clear liquid. She glances up again and as if she has received a cue, she takes off the bottle cap and begins to slowly bring the bottle to her lips, as if she is about to sip on it. Before it reaches her lips, we hear Nikki, from off-screen: 'What the FUCK?!' Nikki approaches Delores. 'About to go on a little afternoon BENDER, Clitoris?!' Nikki asks. Doing exactly what she expected Nikki to do, the bully steals the bottle and takes a swig. 'What the hell!? This isn't BOOZE! Whatever it is, it tastes AWFUL!' Nikki says, puzzled. Sometime later, Nikki's eyes flutter open. Groggy, she slowly and laboriously sits up. She looks around, confused, wondering aloud to herself where she is. She sees that she is in a wooded, outdoor area. Nikki looks down at herself, discovering that she is in her bra and panties. She glances around and sees that Delores is squatting down to be level with Nikki. Delores is holding a lead pipe. Delores begins to lightly tap the lead pipe on her hand. There is something unsettling and threatening about this gesture. Delores gives Nikki an ultimatum: Nikki will do whatever Delores tells her to do. If she doesn't, Delores will send compromising photos of Nikki to Nikki's father. Nikki begrudgingly agrees. Delores has reached her breaking point, and Nikki's going to be sorry that she ever messed with her... ]]> Tue, 06 Aug 2019 03:35:17 CEST https://fullfamilyincest.com/video/5064/nerd-s-breaking-point/ https://fullfamilyincest.com/video/5063/all-the-time-in-the-world/
SCENE OPENS on Ted (Justin Hunt), who is in his room, preparing for a dinner party for his friend Gabi's birthday. There is the sound of a Newton's Cradle which we see clacking in the foreground on his desk. We can also hear the faint sounds of a cityscape through his bedroom window. Ted is nervous and adjusting his clothes. He is rehearsing in front of the mirror, trying to come up with a way to express his love for his best friend Gabi and to convince her to break up with her longtime boyfriend Drake. He retrieves a pocket watch that he got for Gabi's birthday. He thinks it's broken and manhandles it, accidentally uncovering a secret compartment that emits a strange effect as it opens. The distortion effect ripples out across the screen like a shockwave. Sound and movement slow to a stop for everyone but Ted. Ted is confused, looks around the room, sees that his clock is no longer moving. He remarks that it's weird the clock stopped. He feels something is amiss and sees that the Newton's Cradle has stopped in mid swing. He can't believe what he's seeing, and pulls back a bit in fear. Ted leans in to peer and scrutinize the Newton's Cradle with shock and curiosity. Ted looks in wonder and cautiously reaches a hand out. He touches the Cradle. At his touch, the balls instantly start to swing again, the clacking sound whooshing back. Ted stares for a moment at the moving Cradle, then something catches his attention out the window. He goes to look out the window. 'What...the...hell? Everything's just...STOPPED. The birds...the people. Nothing's...MOVING. Th-that's IMPOSSIBLE. It's like time is just...FROZEN,' Ted says in stunned disbelief. Ted looks down at his hand, only now noticing he still is idly holding the open watch in his hand. It starts to dawn on him that the watch did this. He looks out at the frozen city in awe, gazing back and forth between the city and the watch a few times. He seems to get an idea. As he stares out the window, he snaps the clock closed. Instantaneously, the sounds of the cityscape whoosh back in and the clock hand begins moving again. Everything has become unfrozen. Ted stares, stunned into silence, for several seconds. 'Gabi...' he finally whispers. CUT TO TITLE CUT TO another day. Gabi's birthday dinner party is in full swing. Gabi (Alina Lopez) sits beside Drake (Nathan Bronson) at the dinner table. Ted sits across from Gabi. Their mutual friends Pat and Leslie sit around them, and everybody but Ted are clearly enjoying themselves, engaged in light and lively conversation, laughing and joking. Ted seems withdrawn and distracted, spaced-out. He isn't talking to anyone, and instead keeps pulling the watch in and out of his pocket and looking at it under the table. As the other guests are busy, Gabi notices Ted's distraction. She touches his hand and asks what's wrong. Ted snaps out of his distraction, seemingly reminded of his strong feelings for Gabi. Ted is about to profess his love for Gabi when he is interrupted by Drake getting on bended knee in front of Gabi. He proposes and Gabi says yes as Ted panics. Ted's panic boils over and he makes a snap decision, activating the watch to freeze time. Sound and movement slow to a stop for everyone but Ted. Gabi's words cut off as she freezes, hand out. Ted gets up slowly from his chair and paces the room, slowly walking and examining the guests. He seems bitter and disgusted at their happy expressions. He looks at Gabi first, then over to Drake with jealousy, then enters the kitchen briefly to circle Pat and Leslie making sure they're frozen - waving his hand in front of their faces and snapping his fingers in front of their eyes. Ted takes a deep breath, exhaling heavily as he calms down, glancing at the pocket watch and considering what to do. Ted resumes his spot at the dining room table, sighing. He looks back at Gabi, Drake beside her, her hand held out to Ted showing off the ring. His expression turns possessive as he gazes at her. He readies himself and reaches out to touch her outstretched hand. Gabi unfreezes and immediately panics when she discovers everyone else is frozen except her and Ted. She tries to wake Drake up but can't. Ted explains that the pocket watch can stop time. Ted finally professes his love for Gabi, thinking she will reciprocate, but she doesn't. He reveals that he stopped time so that they could be together forever. Gabi is freaked out. Ted feels betrayed and hurt that she doesn't share his feelings. He threatens to smash the watch unless she fucks him. Gabi, full of resentment, agrees to have sex - 'You aren't the person I thought you were, Ted... I'll have sex with you, but I could NEVER love you after this.' Ted tells her that she'll see, she'll change her mind. She tries to lead him to the bedroom. Ted says that he wants them to do it in front of Drake so he can prove to Gabi he's a better lover than Drake. Gabi is appalled but reluctantly agrees. Ted's going to take his time with Gabi. They DO have all the time in the world, after all. ]]> Thu, 20 Jun 2019 03:34:08 CEST https://fullfamilyincest.com/video/5063/all-the-time-in-the-world/ https://fullfamilyincest.com/video/5083/an-honest-living/
Amelia (Anny Aurora), a hardworking and honest housemaid, casts uncertain looks over her shoulder as she cautiously approaches her employer, Mr. Winters. There's something she's been wanting to tell him for months, and today's the day that she's finally going to do it. Yet, she freezes as she stands before Mr. Winters, who is impatiently waiting for her to spit it out. Although Amelia tries her hardest, words fail her, leading Mr. Winters to think she's simply shy about asking for a raise. However, nothing could be further from the truth... Admitting defeat, she returns to the kitchen to clean the floor, only to be startled by Adam (Alex D), her employer's son. Adam is calculated and cruel, taking great pleasure in tormenting Amelia at every given opportunity. He hasn't shown mercy since the first day she started work. Even though he's not her boss, Amelia feels powerless to stop him from taking what he wants whenever he wants. As Adam toys with her, he reveals that he knows Amelia was trying to tattle on him. She deserves to be punished for such subordinance... Although Amelia doesn't want to submit to him, she can't afford to lose this job and be left penniless. Once again, as she slowly unties her apron and bends over the counter, she gives in to Adam's demands. ]]> Thu, 13 Jun 2019 03:41:35 CEST https://fullfamilyincest.com/video/5083/an-honest-living/ https://fullfamilyincest.com/video/5088/the-kindness-of-strangers/
'... there are those who cause you to freeze inside... Those you should keep away from. They are not good for you, even though others might say that they are good people...' -Bodil Bredsdorff THE KINDNESS OF STRANGERS Rich Philanthropist Takes In Homeless Teen Who Discovers His BDSM Sex Dungeon SCENE OPENS to Billie (Avi Love) awkwardly standing in a luxurious mansion. She's a teen living on the streets, though she had the good fortune of being invited to a fundraiser hosted by a well-respected philanthropist, Tom Ridge (Derrick Pierce). She feels so out of place, especially once she catches the rich, handsome man's eye. Tom is charming and sweet, which Billie is naturally drawn to, though she is still guarded. Yet, she doesn't know what to make of him when he offers for her to stay in this beautiful home with him! She's suspicious -- there HAS to be a catch! Tom assures her that there is no catch... Well, except that she'd have to rely completely on the kindness of strangers. Although Billie is still uncertain, she can't turn down the once-in-a-lifetime offer. The next morning, Billie is given free rein of the house as Tom attends to business elsewhere. However, the one thing Tom's made clear is that she ISN'T allowed to do is go into a private room across from her own. Although she's able to resist temptation for most of the day, the mysterious wooden door seems to be calling her name. Finally, she can't resist as she sneaks inside the room, only to uncover a BDSM sex dungeon. As she carefully explores the room, blown away by all that surrounds her, it's hard to envision the kind community man having any part in THIS. Yet, she's about to find out just how dark his desires are when he returns home and discovers she's broken his one rule... ]]> Tue, 28 May 2019 03:43:41 CEST https://fullfamilyincest.com/video/5088/the-kindness-of-strangers/ https://fullfamilyincest.com/video/5181/what-happened-to-my-sister/
SCENE opens inside a taxi cab, as it pulls to a stop. A young man named Rick (Small Hands) stands waiting on the curb, his backpack and a gift bag in hand. He has just arrived home from a trip across the US to 'discover himself,' as his father (Steve Holmes) puts it. He gets inside the cab. After giving the address and setting off, Rick and the driver small talk about his trip along the way: places he went, things he saw, and where he's headed now -- back home to his family before starting a job at his father's company in the fall. The driver makes a joke about having to go home to mom and Rick laughs. No, no mom. It's just his dad, his dad's wife, and his step-sister Josie (Jill Kassidy). He really missed her, and it was just her birthday, so he is excited to give her the gift he found on his travels! The taxi driver says that it's always good to be a big brother while Rick stares off into the distance. When he enters his home, he is surprised to find it empty. He calls out to his dad, to Deena, his dad's wife, and to Josie. But nobody replies. Mildly concerned, he walks through the house until he starts to hear sounds coming from his father's bedroom. Assuming it's his father and step-mom, he makes a face and turns to leave when, suddenly, he hears his step-sister's voice. 'Daddy .... Daddy please,' she moans from behind the door. Rick freezes. In horror, he slowly opens the door to reveal Josie bent over the bed being penetrated by his father! The father grunts and thrusts as Josie takes him all in, moaning with pleasure and calling him daddy. Rick can't believe what he is seeing ... yet he can't look away. Where is his step-mom? What the fuck is his dad thinking? He spies on them for a few moments, trying to take it all in, when suddenly Josie makes eye contact with him. The step-siblings stare at each other. But, instead of reacting, Josie just keeps getting fucked until Rick feels so uncomfortable that he turns away and storms out of the hallway. CUT TO TITLE PLATE Rick sits, arms folded, on the couch when his father enters the room. 'Son,' he exclaims, surprised. 'I didn't realize you were coming home today.' He tries to give Rick a big hug, but his son is standoffish. 'Where's Deena?' he asks curtly. His father makes a face, struggling to think of how to respond, when Josie enters the room. Acting normal, she rushes up and hugs her big brother, giving him a kiss on the cheek and saying how much she missed him. Is that gift bag for her?! He pulls away. 'Where's Deena?' he asks again accusingly. Josie and his father exchange knowing looks before his father smiles and pats his son on the shoulder. 'A lot has happened while you were away, son,' he says.'Josie has made a lovely dinner! How about we all sit down and talk about it like a family?' CUT to Josie putting a bowl of pasta on the table, as Rick's father tries to engage his son in awkward small talk about Deena. Josie takes out some napkins and unfolds one in her step-father's lap, her fingers grazing his crotch, which makes Rick snap. 'Are you fucking kidding me? Sit down!' Josie slumps down meekly while Rick's father bites his lip and struggles to keep calm. He tells his son that, after much consideration, he and Deena have decided to separate. 'Why?' Rick asks. 'Does it have anything to do with the fact you're fucking my little sister?' He yells, standing up. Josie begs him to sit down. 'Josie is your step-sister, Rick,' his father corrects him. Did the father even wait until she was 18? Yes, of course he did. They both agreed to wait until she was a grown woman. They love each other! Rick looks at his sister and asks how she could betray her own mother like that? How could she destroy their family like that? How could she do this to him? Josie, who has been growing emotional throughout the entire fight, ends up storming out of the room in tears. The men are left alone to stare at each other. Rick's father looks very disappointed. 'Are you happy now, making your sister cry? She and I have chosen to be together. Whether you like it or not, this is our family now!' He storms off too, leaving Rick alone. He can't help but feel guilty for making his sister cry. CUT to Josie's bedroom. She lays hugging a pillow when Rick knocks on the door and asks to come in. He is holding the gift bag which he gently rests on the dresser. At first, she gives him the cold shoulder, but crumbles as soon as he sits down beside her to apologize. She buries herself in his arms and pleads with him not to be mad at her. It's been a very overwhelming summer and he doesn't know how many times she just wished he had been home to help her through it. Rick asks Josie to explain what's really going on. It seems as if he's come home to a madhouse. Josie wipes her eyes and tells him that, over the past few months, things between her and her mom have been bad. She kept getting jealous of Josie, especially the way his father looked at her. She began to accuse Josie of being flirtatious and trying to steal her man. Finally, it got to a point where Josie was so angry, she decided to just do it. To prove a point. Rick's father has always been pushover, it didn't take much to get his dick out. Then one day, Deena walked in on them having sex. It was a joke. 'But Deena didn't take it as a joke, did she?' Rick asks. Josie shakes her head. 'I thought it'd be funny! I didn't think she'd actually leave us,' she replies. 'It doesn't sound very funny to me,' Rick says as he puts his head in his hands. 'So, are you in love with my dad?' He asks. She shrugs. 'I mean, I love him. He's like my dad too.' She nudges closer to her step-brother. 'But I really just want to stay here so I can be close to you!' They look at each other, their lips inches apart. Rick shakes his head and tells her that he is feeling very fucked up. Although he feels betrayed, with the way she gazes at him pleadingly, something wells up inside of Rick. He finally jumps her, unable to contain his feelings for her any longer -- no matter how angry he is. ]]> Thu, 08 Nov 2018 04:20:50 CET https://fullfamilyincest.com/video/5181/what-happened-to-my-sister/ https://fullfamilyincest.com/video/5184/anne-act-one-the-orphanage/
SCENE opens late one night. A cop car pulls into frame and parks beside a large residential complex. The driver door opens, and a uniformed officer gets out, adjusting himself and sauntering up the front steps. A plaque on the door reads: The Hands Transition House for Wayward Girls. No one answers when he knocks, so the officer lets himself in. CUT TO: Inside the complex. The officer walks down a darkened hallway towards the main office of Mr. Hands. His transitional facility is a government sponsored orphanage that, according to state regulations, is supposed to release its orphans once they turn eighteen. But, Mr. Hands has discovered a much more lucrative way to retain them. He has built a secret room in the back of his property where he moves the girls once they come of age. There, he can keep them occupied to support his other business ventures and no one from the establishment ever needs to know. But the officer knows. That is why he is here. He has been accepting bribes for years. When he enters the office, he walks in on Mr. Hands, dressed in a smoking jacket, receiving a blowjob from one of his girls. The 18-year-old orphan is dirty and half-naked, resting on her hands and knees to service the corrupt proprietor. She doesn't even look up as Mr. Hands casually invites the officerto sit down. 'Sorry, I didn't expect you tonight!' He laughs. The officer is used to the man's complete lack of discretion and curtly requests his monthly envelope. As he slowly takes it out of his pocket, Mr. Hands boasts to the officer about business. He has a fresh acquisition: an 18-year-old orphan named Anne. The girl had been dumped on his doorstep years ago and grew up in the orphanage. Despite being abandoned, she still holds out the na•ve hope that one day her beloved parents will return, even wearing a broken necklace left for her by her mother! Their conversation is intercut with tightly cropped shots of Anne being led up the back of the property to the secret room. We do not see her face, only her hands clutching a broken heart necklace as she walks nervously. The officer cuts the man off and demands his envelope. He doesn't need a sob story. Just keep the girls low-profile and nobody should come around to bother him. After all, they're all adults, right? And he isn't doing anything inappropriate to them, right?!? The men laugh, as Mr. Hands stands up, dismisses the girl, and hands the envelope to the officer. He peeks inside before tucking it in his pocket and going to exit. 'Please tell me one thing, though,' the officer says, chuckling. 'Is this one at least pretty?' Mr. Hands curls his lips up in a sneer and says 'The prettiest one I've ever had. A redhead!' CUT TO: Inside the secret room. Anne's face is revealed for the first time, as she sits down on her new cot still clutching the broken heart necklace. Anne stares out the window, still clutching her broken heart, as the camera slowly tracks back to reveal seven other 18-year-old orphans sharing the same room. The space looks more like a sweatshop than an orphanage, with work stations set up at each cot. Mr. Hands has been using the girls as labor for a black-market business he has selling used panties. When they aren't producing for him, they work on webcam and other forms of men's entertainment to earn their keep. Free room and board ... plus some extra perks if they get along well with the boss. On this evening, two of the orphans are busy working a cam show while three others rub, remove and package a giant stack of panties. They've been at it all day and look exhausted. Another girl dolls herself up in a cracked mirror, getting ready for a special guest that evening, while, Sally, a frail girl lies huddled in her cot trying to get some rest. Her leg braces rest beside her. Patty, the resident bully, comes bursting into the room with her sidekick, Bonnie. The two orphans have been with Mr. Hands the longest and enjoy making the other girls squirm. Sally is their favorite target. Bonnie grabs her leg braces and makes fun of her while Patty stirs up the other orphans to get involved, teasing that it won't be long before Mr. Hands gets tired of the normal girls and wants a go at the cripple. This is because, each night, he comes into the room and cherry picks a few girls to fuck him in exchange for work relief. Patty starts to imitate him, going from girl to girl, groping and kissing them, and offering them favors in exchange for sex as they all laugh and play along. Sally buries herself under the covers to hide from their teasing, as Anne takes notice and rushes over to break up the crowd. Protecting Sally, she demands that Bonnie let go of her braces. When Patty comes at her, the two girls almost get into a fight. The orphans restrain Anne until she finally backs down, telling the bullies to stop picking on girls weaker than them. Patty retaliates by telling all the other orphans that they shouldn't support Anne. After all, she is the reason why Mr. Hands has been doubling down on the rest of them. If she wasn't such a goody-two-shoes virgin and just let Hands fuck her occasionally, life would be simpler. After all, it's not that hard if you just play along. 'But Anne thinks she's better than the rest of us, girls!' Patty yells. 'All because of that stupid necklace and the delusional belief that her parents actually love her!' Furious, Anne rushes her again and the orphans start to fight when Mr. Hands comes barging into the room. The orphans panic and jump into their cots. Mr. Hands staggers through the room, demanding to know who was causing the ruckus. He pokes around each cot, unimpressed with the state of the girls' workload, before zeroing in on Anne, who is hiding in a corner of the room. Getting right up in her face, he accuses the orphan of distracting the other girls and keeping them from finishing their work. Before she can protest, he punishes her with double duty the following day. Several other orphans laugh gleefully as he doles out the punishment, but Mr. Hands quietens the crowd. 'Of course, there is one easy way to get out of this, Anne,' he says with a sneer. Anne tells him she isn't interested and tries to get around him. The lusty proprietor follows her, sneaking a look up her skirt and telling her it would only last a few minutes. All the other girls do it and some have even grown to like it. He pulls Patty to her feet and starts to use her as an example. She is clean, well-fed, and has everything an 18-year-old girl would want. He pulls Bonnie up as well and bends her over. Looking at her friend with a smirk, Bonnie hikes up her skirt and pulls down her panties. 'Would you like my pussy or my ass tonight, Mr. Hands?' She asks submissively. He slaps the girl on the ass and tells her to make out with her friend to get him hard first. She does obediently. Anne turns away in disgust. Mr. Hands fucks Bonnie and Patty in front of Anne to try and coax her into agreeing to be with him too. She continues to refuse his advances, even as the two girls join him in his taunts. They follow Anne all over the room, fucking and teasing her while she tries to avoid them. Several other orphans chime in to pressure her while the rest watch nervously in silence. In the end, Mr. Hands cums in the mouths of his two most loyal orphans, who lick him up eagerly and tell Anne she is just being a prude. Her parents are never going to come for her. And she has nowhere else to go. Anne clutches her broken heart and asks Mr. Hands to leave her alone. Angry, the sweaty man rips the necklace from her neck and storms out of the room, leaving the girl to collapse in a crying heap as all the other orphans tuck into their cots and go to rest. TWO WEEKS LATER Anne is shell-shocked and depressed, having no hope left after her necklace was taken. She kneels on all fours, scrubbing the orphanage's courtyard, while the other girls goof off around her. Mr. Hands has made it his mission to break the girl's spirit by having her do all the chores by herself. Only the crippled Sally tries to help her. CUT TO: A luxury car pulls into the complex. A beautiful and well-dressed woman named Ms. Farling gets out and walks to the front door of the orphanage. She is the personal assistant of a very successful businessman named Anthony Westfield, who has been asked to invite a local orphan to his estate for an upcoming charity event. When Mr. Hands opens the door, he is immediately suspicious. His informants are supposed to keep people like this off his property, especially nosey women. When she hands him a letter from the state requesting his cooperation, Mr. Hands has no choice but to invite her inside. As they tour the kitchen and common areas, Ms. Farling tells the crooked proprietor that her boss never had a daughter of his own, so she is hoping to take in a teenage girl for the week as a surprise for him. Mr. Hands freezes. He tells her coldly that they don't have any good girls right now ... only delinquents and troublemakers. But he has plenty of children in the other building if she wants to take a tour. Disappointed, Ms. Farling agrees but just as they are about to exit she overhears the orphans in the courtyard. She can see them through a window and insists that she go down and look, despite Mr. Hands' protests. CUT TO: Ms. Farling enters the courtyard and all the orphans stop, stunned to see such a beautiful and sophisticated woman in their midst. They know they are not supposed to interact with the public and a few of them even try to hide. Anne is the only one who doesn't react, her face still focused on the floor. Ms. Farling notices her immediately and walks over, kneeling to address the sad looking girl. She feels so sorry for her. She asks her name and how old she is and, when Anne doesn't respond, Sally limps over to join them. 'This is Anne, ma'am,' she says politely. 'She is 18-years-old and has been here since she was a baby. One day, her parents are going to come back and get her!' A single tear streams down Anne's face as she makes eye contact with Ms. Farling for the first time. 'Is that true, young lady?' She asks, clearly moved. Anne nods slowly. 'Would you like to come with me and let me help you find your parents?' She asks. Anne smiles for the first time in weeks and Mr. Hands, who has been watching anxiously in the background, steps in between them. He tells Ms. Farling to ignore Anne, she is the worst of the lot. A thief. Not the type of orphan her boss would ever want in his home. Ms. Farling, her eyes never leaving Anne's, replies that she has made up her mind. Anne is the perfect candidate, even more so if she has a troubled past. After all, the press loves a good story and the girl will be a great fit for her boss' image. Mr. Hands tries to dissuade her, but the assistant reminds him of her court order. The state clearly says that she can select any orphan she wishes from under his care. Left without a choice, Mr. Hands puts on a fake smile and assures the assistant that he will personally bring Anne to their estate in the morning. He is always supportive of charity. She smiles and, hugging Anne, tells her she will see her tomorrow. It's only a day away. She lets herself out, leaving Mr. Hands alone with the orphans. His fake smile turns into a snarl the moment she is gone. He plucks Anne up and drags her out of the courtyard, while the other orphans rush back up to their room. CUT TO: Mr. Hands leads Anne into his office and throws her down on the couch. He tells her that he has no intention of letting her leave after she has disobeyed him so many times. She begs him to let her go, pleading that this opportunity may be her only chance to find her real parents again. Mr. Hands laughs and pulls the broken heart necklace out from his pocket. He dangles it in front of Anne's face while using the situation to manipulate her. Why should he cooperate when she has been so uncooperative in the past? She knows what she needs to do to get favors from him. Desperate, Anne finally offers to have sex with Mr. Hands if he will agree to take her in the morning as he had promised. He smiles and makes her repeat her offer several times, to his amusement and sick satisfaction. Then he takes his pants down and takes Anne's virginity in his office. Once he has cum, Mr. Hands staggers over to his desk. He pulls out a vial and a rolled-up bill, leaning over the desk to sniff something up, as Anne struggles to put her skirt back on. She asks what time she should be ready in the morning and, looking coldly at her whilst sniffing, Mr. Hands replies that he has changed his mind. He's going to bring someone else instead. Maybe Patty. Anne wasn't quite as good as he would have expected. A bit of a letdown, really, considering all those months of buildup. Betrayed and furious, Anne charges at Mr. Hands, screaming that she is leaving and that she wants her necklace back that he stole from her. The crooked proprietor grabs her by the throat. 'You're not going anywhere,' he growls before locking the orphan in his closet. He sits down at his desk, does another line, and puts his feet up as Anne pounds her fists behind the door. ]]> Tue, 04 Sep 2018 04:22:22 CEST https://fullfamilyincest.com/video/5184/anne-act-one-the-orphanage/ https://fullfamilyincest.com/video/5165/sister-trap/
SCENE opens on a cute timid 18-year-old teen in skimpy pajamas, Paige, waiting outside the bathroom door with a towel draped over her shoulder. 'Come on, Chase, I'm going to be late for school,' she implores and knocks on the door again. No answer for a few more seconds. She goes to knock again but as she does the door swings open and her hand continues through the open door to rap on the bare chest of her step-brother Chase. He's dripping wet and holding his towel over his waist with one hand. 'Woah, easy there girl,' he teases, taking her wrist in his hand and gently lifting it off his chest. He doesn't let go right away - Paige must wriggle a bit to free her hand from his grip, clearly a bit annoyed, while Chase laughs it off. 'Bathroom's all yours, li'l step-sis' Chase says, but even though Paige waits for him to move he doesn't step out of the way. After a few seconds she grunts angrily and tries to slink past him, but he shifts his body to block her further. 'Ugh, Chase, quit it!' she says in rustration. He mocks her further - 'Come on, you're a big girl, just turned 18, you're telling me you're still too much of a pipsqueak to push your big brother around?' Paige tries to push past him again and he blocks her way again. Even though her hand doesn't touch his towel, Chase pretends it gets knocked out of his hand and it drops to the floor - he's sporting a huge hard-on. 'Whoops! Look what you did, klutz,' he grins, and doesn't make any effort to move or pick up the towel. 'Well? Aren't you gonna pick it up?' he says. She exhales sharply and bends over to pick it up - upon standing back up, Chase moves slightly so that his dick brushes against her face. 'Ew, Chase!' she whines, and he laughs and wiggles his hips causing his hard-on to wave in the air teasingly. She shoves him more angrily out of the doorway and barges into the bathroom, slamming the door on him. Seconds later, she opens the door and throws his towel in his face, then slams the door again. CUT TO TITLE PLATE It's another day, and Paige is spread out on her bed, lying on her stomach with her legs kicking idly in the air in time to music on her headphones. She's doing homework, chewing on her eraser as she thinks. We hear the muffled sounds of talking drowned out by the music, and suddenly a pair of fingers in Paige's face start snapping, startling her. She looks up, sees Chase, and takes off her headphones. Chase is standing in a tee-shirt and boxers, looking pissed off. 'Paige, are you deaf? I was talking to you, moron.' Paige is clearly bothered, but tries to hide it, and asks what he wants. He tells her he's having a girl over. She asks why he's telling her, she doesn't care. He says it's so she knows not leave her room, and especially that she'd better not come near his room. They might get pretty loud, he teases. Paige looks uncomfortable and looks down at her homework, not saying anything. Chase relishes in this and continues. Yeah, he bets the girl's gonna squeal real loud when she's riding up and down on his hard dick. He's getting hard just thinking about it, he says as he adjusts the growing bulge in his boxers. Paige winces and tries to go back to her homework, but Chase pulls the notebook out from under her. 'I'm not done talkin' yet, pipsqueak. That's not the way to treat your older step-brother, is it? You should show some respect.' Paige swallows hard and looks up at him - ok, fine, what? He laughs again. He was just saying how hard he's getting, does she wanna take a look? She shakes her head no, but he says he'll give her notebook back if she says yes, so she reluctantly says yes. From over his shoulder in a semi-POV angle, we see Chase pulls his hard dick out through the slit in his boxers, and waves it teasingly in front of Paige's face which clearly bothers her. He gives his dick a couple of tugs for emphasis. Pretty nice, huh? Paige winces, but agrees with him just so he'll go away. As a final prank, he rubs his dick against her notebook, and then tosses it back on the bed in front of her. Paige looks grossed out but resists the urge to say anything. Casually stuffing his dick back in his boxers, Chase stretches, yawns, scratches himself, and then heads to the doorframe. 'Remember, stay outta my room, right sis?!' Satisfied, Chase taps on the doorframe playfully and then walks out. Once he's out of sight, Paige makes a disgusted face and crumples the page in her notebook he wiped his dick off on, rips it out of the book and tosses it away from her. She puts her earphones back on and rubs her eyes and forehead, looking exhausted. CUT to later that afternoon, Paige can't concentrate anymore. She sighs, pulls out her headphones, and lies on her back blinking up at the ceiling. From faintly outside her room, a woman's moan is heard. Paige hears it but pretends to ignore it. After a few seconds, though, more moans can be heard, faint but clear enough to tell they're the sounds of sex. Paige winces and tries to use her pillow to block the sound. But after a few seconds, she pulls the pillow out from under her. She's about to throw it away from her, but something stops her, and instead she slowly lowers it down between her legs and starts gently pressing one edge against her crotch. Slowly, almost imperceptibly at first, her hips start bucking and she pushes the pillow against her with more pressure, until she's humping the pillow with slow, hard thrusts. Her own soft moans join the moaning coming from outside the room. Eventually she positions her hand under her skirt, up her underwear, to add the strength of her own touch to the pillow thrusts. In spite of herself, one or two times she gasps Chase's name as she masturbates, each time looking like right after she regrets saying it. Suddenly, in the middle of her masturbation session, the moans from the other room stop. Paige slows her humping to a stop, and then sits up and strains to hear. But she doesn't hear anything. Timidly, she gets up and stealthily opens the door to her room. She still doesn't hear anything. She tiptoes down the hall, camera tracking behind her, until she starts hearing the moaning again from her brother's room, only it's much quieter now. As quietly as she can, she moves to his door. The door to his room is not fully closed, it's ajar, but as she tries to peek in the crack is too small to see anything. She pushes it open slightly to get a better look. She sees Chase - not on his bed, but in his office chair, and not with a real girl but instead in front of his computer with a porn video playing in the background of a petite blonde. We only see the back of Chase in his chair but his arm is moving up and down, he's clearly jerking off. Paige looks confused but intrigued, and she goes back to spying, opening the door the full width of her head to get a better look. As Chase is stroking, he's speaking out loud, presumably to the girl on the screen, who looks not unlike his sister - saying she's a slut, saying what he's going to do to her, etc. Paige gets turned on by the verbal - she starts touching herself over her clothes, careful still to not make too much noise. This goes on for a couple of minutes, though as time goes on Chase's verbal gets more specific - first he starts calling the girl on the screen Paige - Paige is shocked to hear her name being spoken, but it turns her on even more. His dirty talk gets more elaborate, saying he knows she wants him, saying he knows she secretly loves it how he keeps finding excuses to whip out his dick in front of her. Saying that every time he lies about bringing home girls to fuck, she should know it's just to make her jealous. What shocks her the most though is when Chase speaks directly to her - 'You just gonna stand there watching?' Paige freezes in place. Chase slowly spins the office chair around and looks straight at her through the small opening of the door. He remains clothed in his t-shirt and boxers, his dick again poking out from the slit in his boxers, and he slows his jerking off to long, purposeful, teasing strokes. 'What are you waiting for, sis? Come and get some of this.' She slowly pushes the door open, but at first stands frozen in place at the threshold. Chase laughs and smacks his hard dick against the palm of his other hand a couple of times, making a slapping sound. 'What's the matter, moron? I said come over here and suck my fucking cock.' Paige looks spellbound - 'O-okay' she says quietly, then starts moving towards him and kneels down in front of him and leans forward to receive his dick in her mouth. 'I knew it was just a matter of time,' Chase gloats as he slides his dick into Paige's waiting mouth. BG sex scene. Chase is not very rough with his sister during the sex, but he does like to taunt her - pulling out suddenly and making her beg for his dick, calling her a mix of 'li'l sis' and other pet names, as well as throwing some insults. Paige puts up with it all, and unlike earlier, the insults and teasing doesn't bother her, if anything it only serves to turn her on even more. After the sex, Paige bends down to pick up her clothes but Chase puts his foot on them, and she's unable to pull them out from under him. 'Chase, get off,' Paige whines, but Chase snaps his fingers in Paige's face, making her look up at him. 'Hey moron, you can't tell ANYBODY about this, you get that? Not your mom, not my dad, nobody. You get that??!' Paige grunts yes, she gets it, and finally he lifts his foot off the clothes and she picks them up in a huff. 'I'm taking a shower,' she mumbles, but Chase gets up suddenly and cuts in front of her to the door to his room. 'No, I'm taking a shower. You can smell like my cum for a few minutes more, can't ya pipsqueak?' He rustles her hair with his hand and chuckles before walking out his bedroom door, closing it on her. ]]> Tue, 31 Jul 2018 04:14:29 CEST https://fullfamilyincest.com/video/5165/sister-trap/ https://fullfamilyincest.com/video/5192/future-darkly-artifamily/
"SCENE opens with an homage to the famous POV sequence from the 1987 sci-fi film, Robocop. A lead scientist leans over the POV of a locked-off camera and examines the frame. She is standing in a stark, well-lit room accompanied by a small team, dressed neatly in lab coats, and taking notes. The lead scientist is commenting on the final stages of their new version. She talks about the exteroceptive sensors and the CCD cameras, asking questions to make sure that the actuators that malfunctioned previously will be completed prior to the trial. As she speaks, the frame periodically populates with code (VFX), suggesting that the scientists are leaning over a computer. When the scientist is satisfied, she asks the team to drain it and dress it in civilian clothes. The father will be arriving shortly. She leaves, and the team gives one final long look before exiting the frame. CUT TO TITLE PLATE TEXT PLATE: March 15, 2095 A CU of a man's shoes. He taps his feet and shakes his legs as the camera slowly pulls up to reveal an anxious looking man named Robert sitting in a minimalist white office. It's been six months since his beloved wife and 18-year-old step daughter were killed in a car accident and the man is sick with grief. Despite the support of his family and friends, he has been hospitalized twice with severe PTSD and recently placed on a medical leave by his employer. It was his therapist, in fact, who insisted he sign up for this government program as part of his treatment. Robert runs his hands through his hair and wipes his face to get himself together, as the lead scientist and her team of staff enter the room. The scientist greets Robert with great sensitivity, shaking the man's hand before extending it into a hug and introducing him to her team. She asks Robert to sit down again so they may begin the orientation. Taking her cue, one of the team members uses a tablet to cast a hologram screen beside the scientist (VFX*), as she begins speaking. She welcomes Robert formally to the ARTIFAMILY institute and starts to explain its history. It was founded in 2040 by Dr. Philip Bernard, a psychiatrist and futurist entrepreneur, who had a vision of using artificial intelligence to treat mental illness. Since Bernard's humble beginnings, ARTIFAMILY has evolved to become the leading treatment facility for victims of exploitation, emotional distress, and extreme bereavement. As the scientist explains their story, the screen beside her displays various images of Bernard and the ARTIFAMILY institute. Robert can only half-follow, visibly distracted and anxious about being there. Taking a pause to gauge his reaction, the scientist continues to explain his case. As she talks about the tragic accident, images of his wife and smiling daughter come on the screen. Robert looks sick, having to put his head between his knees at a certain point. The scientist signals another team member, who brings the man a silver can. Robert sips it meekly as the scientist goes on to discuss his subsequent PTSD diagnosis, work leave, and therapist recommendations. She empathizes about how hard it is for humans to retain employment and that he is lucky his corporation is so supportive. He has no expression. Kneeling beside him, the scientist sympathetically reminds him that today is the first step in his healing process. ARTIFAMILY specializes in creating android clones of deceased loved ones so that no one must suffer the loss of losing someone too soon ever again. Their team of scientists were able to upload and digitize their brain cells to construct an exact clone, using machine learning and patented algorithms to generate a personality match from the digital data. Apart from a small microchip behind the left earlobe, you would never know that ARTIFAMILY members weren't human. As she tells Robert about the program, the screen displays various sales pitches and stock images of androids being built. Robert stares at them in disbelief. The scientist signals her team to leave the room and they file out obediently, the hologram screen closing as they exit. 'Mr. White,' she says quietly. 'In compliance with the AIX act, I need to inform you that we are only legally allowed to dispatch one android clone per household. Since you did not specify your preference in the initial application, we have taken the liberty to generate the more viable of the two candidates. I hope it will suffice.' Robert looks at her blankly, asking what she means by 'viable' as the team re-enters the room behind them. They are escorting the android daughter, who stands rigidly between them in a white tank top and white shorts. 'Daddy,' she whispers. Robert freezes. His eyes well up as he slowly turns around to see the perfect likeness to his daughter. She looks expressionless for a moment before smiling and laughing. 'It's so good to see you,' she says cheerfully. He staggers over to her, feeling her face, her arms, her legs, and exclaiming inaudibly before collapsing at her feet in tears. The team look amongst themselves proudly as the scientist shows off the girl's features, including her seamless movement, integrated computer system that is both wireless and SMART, and a discreet on/off function. She reminds Robert of the paperwork he needs to sign before they can leave. In a state of euphoria, he happily agrees to sign whatever papers are necessary to get his precious girl home. TEXT PLATE: March 16, 2095 Cut to Robert opening the front door with his luggage and ushering his daughter inside. Cautiously and not willing to let go of her hand, he calls her by name (Jessica) and asks if she remembers their home. She steps inside, turns around, and smiling nods her head -- telling her father the exact date and time he and his late wife moved their family into the house, along with the property's coordinates: 34.0259 N, 118.7798 W. Robert's smile wavers; a small, stinging reminder that Jessica is not quite the same. He asks if she wants to see her room again and, after a slight pause, she eagerly nods and gives him a giant hug. They exit. Cut to Jessica entering her bedroom. She turns around and asks curiously why he didn't take her to his room. Robert reminds her that she has her own room. 'But I snooze with you when I don't want to be alone,' she says, stepping into him for a hug. He winches again, looking at the subtle microchip tattooed behind her ear as he holds her. 'Yes sweetheart,' he says. 'But that was when you were little. You're 18-years-old now.' She looks up at him. 'The legal age of consent to fuck with another person in the state of California is 18 years old, daddy, so, I'm going to fuck you!' She grabs his crotch. Robert steps back awkwardly and takes her hand off. 'No, that is not right, Jessica,' He says nervously. 'You must have that confused. I'm your step-father. I'll be downstairs.' He leaves the room abruptly, as Jessica stares at him before slowly slipping her fingers down her shorts and pulling them up to reveal sticky, wet fingers. Cut to that evening. Robert is eating dinner while Jessica sits watching him. The room is quiet and awkward when Jessica breaks the silence. 'Sexual intercourse.' She starts spouting. 'The sexual contact between individuals involving penetration, especially the insertion of a man's erect penis into a woman's vagina, typically culminating in orgasm and the ejaculation of semen.' Robert puts his fork down in shock. She stares at him before saying sweetly, 'When are you going to penetrate me, daddy?' TEXT PLATE: March 17, 2095 Robert sits in the living room, with Jessica across from him. He is trying to discreetly read the ARTIFAMILY manual he was given, particularly the diagram about how to turn the android off. All he needs to do is place his left thumb between her eyes to disable her function. It has been programmed to his thumbprint for security. Nervously, he looks it over a final time, opens a web browser and starts to type in 'what to do if your ARTIFAMILY malfunctions' before deciding against it and closing his tablet. Instead, he asks his daughter what she wants to do tonight, and they embark on a few minutes of small talk. The conversation almost seems normal and Robert starts to let his guard down when, suddenly, Jessica starts removing her clothes. She asks him why he was searching for malfunctions with her body when, bending over, she can easily show him that nothing has malfunctioned. Robert stares at his android daughter's pussy before clasping his hand over his eyes. He tells her to put her clothing back on. 'No daddy,' she argues. 'Not until I show you that I am fully functional and do not require any updates.' Robert slowly removes his hand and tells her that he can see. 'I am a perfectly proportioned 18-year-old girl,' she continues spreading her lips. 'My skin is soft, I am easy to lubricate, and I am always eager to please you.' Robert shakes his head in disbelief. 'But you are my daughter,' he begs. 'Yes daddy,' she smiles turning onto her knees and crawling to his lap. 'I am the best version of your daughter. I want you to fuck me, daddy!' She unzips his pants and stares up at him to accept his cock. In a panic, he presses his left thumb between her eyes, which emits a red glowing button (VFX) and the android clone closes her eyes and falls into a sleep mode position. TEXT PLATE: March 18, 2095 Jessica sits in the exact same frozen position while Robert paces frantically in the background. TEXT PLATE: March 19, 2095 Jessica sits in the exact same frozen position while Robert leans in to her face. He looks horribly conflicted. He tells his house's SMART assistant to call the ARTIFAMILY INSTITUTE but as soon as the app agrees, he quickly changes his mind and cancels the call. TEXT PLATE: March 20, 2095 Jessica sits in the exact same frozen position while Robert sits back in his chair. He hasn't slept or eaten in several days and he is exasperated. Shooting her an evil look, he tells her she isn't even his real daughter. 'My daughter was a spoiled brat who never appreciated me,' he starts yelling. 'My daughter caused my wife so much stress that that's why she probably decided to try to drive the car herself that night. Why the hell else would she have done that? Nobody fucking drives themselves anymore!' He grabs the frozen girl's face aggressively. 'I should just fuck you till you break!' He yells. In the heat of the moment, his thumb re-actives her -- a green glow emitting from her forehead. (VFX) She turns on, looks up at him and opens her mouth. 'Yes daddy, please daddy ... please fuck me!' Robert grabs his cock out of his pants and shoves it deep into her android mouth. BG Rough Sex Scene. Throughout the sex, Robert hate fucks the android while she eagerly encourages him to go harder, using lots of family roleplay talk. In the end, he jizzes all over her face. Looking up at him, she repeatedly says 'Thank you daddy' as she begins to short-circuit. She collapses to the floor. Panicked and overwhelmed by what he has done, Robert stares at his android daughter lying on the floor glitching (VFX) before screaming to his SMART APP to call the ARTIFAMILY institute. The SMART APP asks if he is certain this time. He screams yes and the phone rings. When a receptionist at ARTIFAMILY answers, all that the tormented Robert can scream is 'HELP ME!' THE END" ]]> Tue, 08 May 2018 04:25:27 CEST https://fullfamilyincest.com/video/5192/future-darkly-artifamily/ https://fullfamilyincest.com/video/5220/the-countdown/
SCENE opens on an unconscious 19-year-old girl, Nora, lying on the floor of an empty cell. She is wearing 'weekend' clothes: a tank top and skirt. From her perspective, we hear the voice of a man telling her to wake up. As she comes to her senses, she opens her eyes and, through her POV, sees a man, Alan, clearly older than her, mid 30s, dressed in boring business clothes (math teacher). 'Are you okay?' He asks. She screams and tries to get away from him. The man also gets frightened and moves away in his corner. 'I don't want to hurt you, I'm in here like you!' The girl lets out a gasp and looks around the cell, nervously pacing. 'It's no use,' says Alan, nervously. 'I've tried.' 'Where are we?' asks Nora. 'I don't know! I think we might have been... taken!' While screaming and kicking, Nora notices a security camera in the corner of the cell, near the ceiling. She screams at it 'LET US OUT!' Alan, still in shock his corner of the cell, says 'I've been here almost a full day, they haven't said anything. I think they brought you in when I was snoozing.' Nora sits down, her head in her hands. 'What do they want from us?' Alan responds 'I don't know... all I know is that we are being watched .... and... there is...that!' He points to the '4th wall.' From the POV of the wall, Nora gets up and slowly walks towards the camera. A reverse shot reveals a big digital clock reading '23:55:04' and counting down. CUT TO TITLE PLATE CU of the clock: 19:59:39 and counting down. Under the clock are 5 unlit led lights. Nora is in a ball in a corner of the cell, rubbing her arms to be warmer. Alan is in the other corner resting. As she shivers harder and harder, Alan wakes up. 'It's almost been 2 days, look at you ... you are shivering! I told you I am not going to hurt you. Come and sit next to me, I'll warm you up.' 'No thank you' she replies. Alan gets up and removes his dress shirt, leaving him in an undershirt. He walks towards Nora 'At least take this, I can't stand to see you like this!' She is clearly hesitant, but lets the man come closer. As he puts his shirt around her shoulder, he kneels and says 'here, at least you won't freeze!' He puts his hand on her folded leg. As soon as their skin touches, all lights shut down, and a mechanical sound is heard. When the lights come back on, two blankets and a whole chicken are on the ground. At first, both fear the noise, but then see the blankets and food. They both jump on it. They wrap themselves in the blankets and start eating like starved animals each in their corners. The camera slowly pans towards the countdown on the wall. 19:57:22. Smash cut to the bare chicken bones on the ground. We can hear their bellies grumbling. Both detainees are sitting in their corners. Nora speaks 'So... do you think at the end of this countdown they will let us go?' As she points to the clock, it now shows 37:13:45. 'I don't know,' says Alan, rubbing his wedding ring. 'I'm... I'm Nora by the way.' 'Alan.' A silent moment. Nora adds ' And... what were you doing before... you know.' 'I was going home from class... I... I teach math at Northwestern, and I'. Before he finishes, Nora cuts him 'I used to go there.' She tells him how she used to attend College to become a lawyer but dropped out when she turned 19 because she wanted to become a painter. He tells her how he was in a promising band in College but was pressured into taking a real job by his girlfriend of the time. They share a look that says, 'We are different but we are the same', followed by an awkward moment. 'Good night Alan' she says, before turning away in the blanket. 18:29:56 Nora is pacing the room as Alan is sitting in a corner, rocking back and forth rubbing his wedding ring. 'My wife must be worried sick.' 'You are married?' 'Yes, almost 10 years now. And now she must be alone, pregnant and scared.' 'Pregnant?' Nora asks. Alan starts crying. He explains how his girlfriend from college pressured him into taking a job because she was pregnant back then. They got married and then had the child who then passed away. They didn't think they could have another child, the pain was too much. 'But then Maria got pregnant again... that was 6 months ago.' He sobs. Nora slowly walks toward him. 'Hey ... don't worry, I'm sure we'll get out'. She reaches her arm towards his shoulder. As soon as they touch, the lights go pitch black and, a moment later, pillows appear. They tense up and stare at them. Alan gets up, wiping the tears off his face. 'Wait a second...' He suddenly grabs her arm. The lights go out again, and candies appear. 'I get it,' says Alan, terrified, 'when I gave you my shirt, and just then my shoulder and now your arm... they want us to touch each other!' Puzzled, Nora puts a hand on Alan's chest, over his undershirt. Nothing happens. Alan moves her hand slowly to his exposed skin, the lights go black and more candies appear. CU on the security camera zooming in. They both look at each other. Alan is the first one to understand and takes a step back and says, 'Oh my god' as he grabs his face. Nora goes 'What? Now we know how to get food!' 'Don't you get it Nora...They are watching us... they reward us when we touch skin on skin. This is some twisted pervert!' (trailer moment). Nora stares at him. Then she looks at the clock. Then looks at the security camera, she walks towards it. She takes off her tank top revealing her breasts. A green light flashes, and the clocks beeps fast-forwarding to 09:59:59. Alan in horror tries to look away muttering 'what are you doing?'. She pulls down her skirt and panties. The green light flashes, and the clocks beeps fast-forwarding to 00:04:59:59. Her attitude suddenly changed, she is now more aggressive. She turns toward Alan and goes to him. 'Get naked Alan, that's what they want!' She tries to pull him up. He struggles to not look at her. 'Come on, you pussy, we're not at church! We can get the fuck out of here if we give them what they want! Strip!' Alan collects himself. 'All right... all right'. He takes off his undershirt and pants. The green light flashes, and the clocks beeps fastforwarding to 00:59:59 and counting down. As Alan finishes taking off his socks, Nora screams 'Ok! Now what!? You sick fucks!' When Alan is done, one of the five led lights under the clocks lights up. They stare at it for a beat. Nora turns to Alan 'You need to fuck me!' Alan stares back in silence. 'You were right Alan, this is a fucked up little circus we've been put into. I bet you they want us to fuck before the clock hits zero.' Alan stutters 'But I ... My wife... I just...' Nora pins him against the wall, 'Look, it's this or we are both gonna be in here for ever or until we starve. I know you are a good man, but I want to get out of here, I know you do too! Do it FOR your wife, do it FOR your kid!' Nora points at the security camera as she says ' Tell them! Tell them you will fuck me!' Alan takes a moment, then says 'Ill... I'll do it. I'll fucking do it!'. Nora drops to her knees and start blowing him. After a minute or so, a second led light lights up under the clock. Alan says: 'It's working!' They descend in BG sex scene where Nora dominates and yells at the security camera 'You like what you see?' etc... As they change position, the led lights turn on one after the other leaving only one off. Alan's attitude gradually changes as he his pumped by Nora's yelling. As Alan is stroking his dick before cumming onto Nora's face, they both say the each other 'It's almost over, we're getting out! Almost there' and then to the camera 'That's what you wanted you twisted perverts?' He cums on her face. They take a beat looking into each other's eyes, proud of themselves. Alan is then struck by what he just did and stumbles backward. Nora then turns to the clock, now reading 00:00:20 and still counting down, with one led still off. 'It didn't work' says Nora. 'It's still counting down!' Alan comes near her. They both are now hysterical, yelling 'Wait, we'll do it again, please, no let us g..!'. Their voices are cut off over the image of the clock going to 00:00:00. Credits over total silence. ]]> Tue, 17 Apr 2018 04:35:53 CEST https://fullfamilyincest.com/video/5220/the-countdown/ https://fullfamilyincest.com/video/5225/uncle-fucker/
SCENE opens on Jessica, a precocious 18-year-old girl, as she sits knees tucked on her bedroom floor finishing her makeup in front of a mirror. She smiles and pouts at herself, taking a few selfies, before overhearing her father call her into the kitchen. It's Sunday, the day of the big game, and he is having several buddies over ... including John, a man who's always been like an Uncle to Jessica and someone she's crushed on for years. When she struts in the kitchen, Jessica's father is shocked. How come she is dressed up like that? She is way too young to be wearing such provocative clothing! Jessica tries to protest, telling her dad its just what teenage girls wear these days, but dad is insistent that she go back and change. His friends are coming over, for goodness sake! She had promised to help him host ... not be a slut! Jessica glares at her father before storming back into her room and slamming the door. Jessica's bedroom door slowly opens, as she creeps out into the hall amid sounds of men cheering and laughing in the other room. The game has begun. The camera slowly pans out to reveal the teenager dressed in another provocative outfit ... despite what her father said. She looks smug as she walks into the kitchen, grabs a bowl of chips, and makes her way towards the living room. Her father and his two buddies are all engrossed in the game when Jessica asks if anyone wants a beverage ... and awkwardly says hi to John. Jessica's father looks annoyed when he sees her outfit but can't say anything in front of his friends, so he just shoos her off. John, on the other hand, seems fixated on the 18-year-old. He asks if she needs any help and follows her back to the kitchen. As they open a few beers, Jessica tries to act mature and sophisticated with John, to impress him. After telling him her college plans, she gushes that he is her favorite Uncle, even if they aren't related. She reminisces about all the good times they've had over the years, with John hanging around the house and being her dad's best friend. John is charming and sweet with Jessica, all the while keeping an eye on her father in the other room. At a certain point, he leans in and whispers something about wanting to eat her pretty little pussy. Jessica is stunned, assuming she's misheard. She asks him to repeat himself and he just smiles, saying he wants to eat the chips ... before walking back to the living room. Jessica flushes red. Did he just really say that?! One Hour Later Jessica sits wedged on the couch with her father and his friends. They are all still engrossed in the game, while she looks nervous. She keeps thinking about what John said. He is staring at her now and starting to play footsie with her subtly, right in front of her father. The light teasing continues until Jessica can't handle it anymore and excuses herself to go refill the chips. Inside the kitchen, she opens the pantry and grabs a bag, opening its contents into the bowl. When she turns around, John is standing right behind her. He startles her so much that she drops the chips on the floor. Embarrassed, she apologizes for being so jumpy and leans over to pick them up. John is still sweet and charming but doesn't do anything to help her ... instead, he just looms over her as she bends down, ass innocently up in the air. There is something strange about the way he is calmly watching her while keeping an eye on the men in the other room. By the time Jessica gets back up, there is an uncomfortable silence between them. She squirms awkwardly as John stares at her, inching closer. 'Jessica,' John asks. 'Can I ask you a question?' She nervously nods her head. John steps closer. 'Your dad told me once that you have a little crush on me. Is that still true?' he asks coyly. Jessica freezes, her big doe eyes staring up at him. How embarrassing! 'I can't believe he said that,' she dismisses. 'That's ridiculous. You're like family to me!' She tries to move back to the living room, but John pulls her back by the hand. 'But is it true?' He asks again, rubbing her arm. She looks down at it before slowly looking back up at him. 'It was just a silly school girl crush kind of thing,' she brushes off. 'That's why I never pursued it. You're Uncle Jack. Besides, I'm too young for you ... I just turned eighteen!' Smiling, John continues to ask questions as he slowly backs her up in the kitchen, asking what she used to think about him, what she thinks about him now, and confirming the fact that they are just family friends. Her reluctance plays out more in body language than actual words, as she nervously backs up into a corner of the kitchen. Finally, he gets her to admit that she still likes him and that she has even touched herself at the thought of him fucking her. Jessica is extremely nervous about having this discussion while her dad is in the other room but John keeps distracting her, pulling her down in the kitchen so they can keep talking without raising suspicion. Finally, John asks if he can kiss her and, after some final hesitation, she agrees. After some foreplay, she also verbally agrees to have sex with him. Throughout the BG sex scene, she enjoys what's happening but is very worried and distracted about being too loud and arousing her dad's suspicions. John eagerly devours her, giving her a long rim job and having her deep throat his cock before sliding into her pussy and unloading on her ass. She feels the cum drip off her cheeks, just as she looks up and sees her disgusted father and his other friend staring down at them both. Game's over. ]]> Tue, 27 Mar 2018 04:39:02 CEST https://fullfamilyincest.com/video/5225/uncle-fucker/