https://fullfamilyincest.com/tags/police/ Sun, 27 Sep 2026 22:37:35 CEST https://fullfamilyincest.com/video/4669/tech-savvy/
When teen lesbian couple Charlotte and Lily (Pixie Smalls and Myra Moans) become the target of constant harassment from a homophobic cyberbully, they decide to ask their computer science teacher, Mr. Thompson (Will Pounder), for help. With the police unable to offer any assistance, and their attempts at blocking the bully being futile, Mr. Thompson might just be their only hope. Mr. Thompson agrees to assist them, but gives them a shocking condition: they have to have sex with him. Charlotte and Lily are hesitant about having sex with a man, but they're desperate to get their lives back to normal, so they agree to his terms. After all is said and done, however, they can't help but wonder if all they've done is trade one bully for another... ]]> Tue, 03 Feb 2026 00:12:31 CET https://fullfamilyincest.com/video/4669/tech-savvy/ https://fullfamilyincest.com/video/4766/the-man-in-the-mask/
Tom (Tommy Pistol) and his wife Margaret (Athena Anderson) witnessed quite the scene at their neighbor's house the night prior. Police cars, screaming, an ambulance... they can't help but wonder what happened over there. Their questions are answered, however, when their neighbor in question, Tanya (X Wife Karen), comes to their front door in tears. Tom and Margaret are shocked to learn that Tanya and her husband were victims of an attempted home invasion, one which sent Tanya's husband to the hospital. Tanya is shaken and asks if she can stay with Tom and Margaret until her husband returns. Tom and Margaret are happy to help, inviting her inside. A few nights later, however, Tom enters his kitchen to find Tanya at the table, her fingers toying with a black ski mask. She hasn't been able to catch a sliver of shut eye since the robbery, her thoughts plagued by the traumatic event. Tom tries to console her, but is shocked when Tanya reveals a troubling secret. Her obsession with the robbery doesn't stem from fear... but from lust. A lust for the man in the mask. The same man who sent her husband to the hospital... and the same man that she can't help but fantasize about. Tanya is terrified that this newfound fixation will carry over into her marriage. Seeing no other option, she decides that she must do whatever it takes to purge these filthy desires from her soul. Shockingly, she extends the mask to Tom, asking him to put it on and fuck her roughly while wearing it. Tom is floored, but Tanya is persistent. With his wife just upstairs, Tom finally gives in, putting on the mask and giving Tanya what she wants... and needs. ]]> Tue, 30 Jan 2024 00:57:32 CET https://fullfamilyincest.com/video/4766/the-man-in-the-mask/ https://fullfamilyincest.com/video/4956/you-ll-always-have-a-home-with-us/
Joanne (Lauren Phillips) and her husband, Nick (Dick Chibbles), are just settling in for the night when there's a knock on the door. When Lauren answers it, her goddaughter, Avery (Paisley Porter), practically jumps into her arms, sobbing. Lauren is startled as she turns to the police detective accompanying her for help. Seconds later, their worlds come crashing down as they learn that Avery's parents, their dearest friends, have been killed in a terrible car accident. Even though Avery isn't related to them, as her godparents, Joanne and Nick will do everything they can to take care of her. But as time passes, Nick starts to become more and more uncomfortable sharing the house with Avery. It seems like Avery's selfishly inserting herself in every aspect of their lives, not giving them any privacy. Even worse, it doesn't even seem like she's grieving, which thoroughly freaks Nick out. One day he tries talking to Joanne, convinced that something's WRONG with Avery, but Joanne insists that this is how she's processing trauma, so they have to be there for her -- no matter what. Although Nick reluctantly accepts this, he admits that a lot of his frustrations stem from the fact that they can't get any ALONE time together these days. Now that Avery's stepped out for a minute, maybe they can have a moment that's only about THEM. But as things heat up, are they REALLY alone? ]]> Tue, 02 Feb 2021 02:50:30 CET https://fullfamilyincest.com/video/4956/you-ll-always-have-a-home-with-us/ https://fullfamilyincest.com/video/4983/fender-bender/
SCENE OPENS on 18-year-old Lana (Adira Allure), who is driving in her car. Meanwhile, Cal (Stirling Cooper) leaves his house and gets into his car, shutting the door. He starts the car, but as he's about to reverse out of his driveway, his car shakes and he yelps in surprise. Someone has crashed into the back of his car. Cal gets out of the car and we see that Lana has hit him. She is frantic and shaken-up. For some reason, she doesn't want him to call the police. This seems to give him an idea and he invites her in to talk it over. CUT TO TITLE Inside, Lana reveals that she doesn't want Cal to call the cops because she was driving with a suspended license and could go to jail. Cal implies that the only way he won't call the cops is if Lana fucks him. After initially refusing, Lana, in complete desperation, agrees to fuck Cal. Lana is about to pay a very steep price for her little fender bender... ]]> Thu, 24 Sep 2020 03:01:54 CEST https://fullfamilyincest.com/video/4983/fender-bender/ https://fullfamilyincest.com/video/5000/punishing-the-sitter/
It's been weeks since April (Alina Lopez) made a twisted deal with Trent (Dick Chibbles). April agreed to be impregnated by Trent to help him fulfill his wish of having a daughter in exchange for him helping April put her young brother through school. But despite having sex more times than she can count, April can't seem to get pregnant... And Trent's losing patience. April is having second thoughts but she's not entirely sure how to tell Trent. She tries to have a conversation with him, subtly suggesting that the problem might be with HIM, but it doesn't go well. April gives herself to him again to appease him and avoid further punishment, hoping against hope that THIS time they'll finally succeed... But before April takes yet another creampie in her pussy, they're interrupted by a doorbell. When Trent throws on a robe and furiously goes to check the door, April's curiosity and desperation gets the best of her. She throws on her robe as well and sneaks downstairs after Trent... only to see him being confronted by a police detective. Could this be April's chance to end it all? ]]> Tue, 17 Mar 2020 03:09:00 CET https://fullfamilyincest.com/video/5000/punishing-the-sitter/ https://fullfamilyincest.com/video/5019/swapped-at-birth/
SCENE OPENS just as Alice (Jane Wilde) takes the last bite of a piece of cake and polishes off her fork. Her parents Fred (Eric Masterson) and Barbara (Brandi Love) sit next to her, looking on lovingly. Around the table there are also the scraps of gift bags and wrapping paper suggesting a small birthday celebration between the family. Barbara comments that she can't believe Alice is 18 ALREADY. Where does the time go? As Barbara tidies up the dishes by taking them to the other room, Fred adds that as Alice gets older, she just gets more and more beautiful. Fred and Barbara give each other a curious look as Barbara re-emerges from the other room. Together, Fred and Barbara drop a bombshell on Alice: she is NOT actually their daughter. CUT TO TITLE Fred and Barbara reveal that as part of an arrangement with another couple down the block, the Greens, Alice and the Greens' daughter were swapped at birth, so that each couple could indulge their fantasy and fuck their 'daughter' when she came of age. Alice threatens to call the police, but when Fred and Barbara point out that her life will be turned upside down as a result, she backs down and agrees to the threesome. Alice's life will NEVER be the same again... ]]> Thu, 13 Feb 2020 03:17:26 CET https://fullfamilyincest.com/video/5019/swapped-at-birth/ https://fullfamilyincest.com/video/5035/a-betrayal-of-trust/
SCENE OPENS on Paige Owens greeting her girlfriend Whitney Wright as Whitney arrives at Paige's house. They instantly giggle and paw at each other as Paige pushes Whitney towards the couch playfully. Whitney jokingly tells Paige to slow down a little - what's the hurry? They have Paige's house to themselves all weekend. Whitney tells Paige she wants to cuddle and talk. Paige looks a bit worried but says sure they can talk. Whitney asks how things have been since Paige's new step-father Bruce, who is a police officer, moved in a couple of weeks ago. Paige says things have been fine. Whitney seems surprised - Paige was SO upset for WEEKS about her mom's marriage and plans for him to move in, she didn't think Paige would have such a sudden change of heart. Paige dismisses Whitney's concerns, saying it just took her awhile to get used to since her real dad was such a laid-back guy that she wasn't used to having a disciplinary figure in her life. Paige tries to get the subject back onto sex, pressing her body seductively against Whitney's and kissing her sensually before leading Whitney to her bedroom. They begin to engage in light foreplay. During one particularly lengthy kiss, Whitney's back is to the doorway to the room, her eyes closed, while Paige is facing it. There at the doorway, mostly hiding around the corner, Bruce (Dick Chibbles) stands peeking into the room to watch them. He is staring hungrily, his face stern and unsmiling. We see Paige's eyeline is directed right at him and they exchange a stare. She does not seem surprised by his presence at all. The girls slip off each other's shirts as the action gets steamier and starts to lead to sex, with Bruce still watching at the door, as Whitney fingers and eats out Paige. Soon, Paige begins to encourage Whitney to try a dildo. She's reluctant but eventually agrees, even though she still seems a bit weirded out that it's shaped like a dick. Bruce nods with approval from the doorway as Paige uses the toy on Whitney. She tries to enjoy it, but eventually Whitney finds it too weird and tells Paige to stop, asking WHAT is going on?? Bruce steps out from the shadows and says he can be the one to explain. Whitney is shocked by his sudden appearance, panicking and trying to cover herself up. Bruce explains he is using dirt he has on Paige to coerce her into following his instructions - including luring Whitney here for sex. Bruce insists on having sex with them both, under the threat of using his authority to get them in trouble if they don't cooperate. Whitney is disgusted at the situation but her girlfriend begs her to agree, and she gives in. Can Paige and Whitney's relationship withstand this twisted betrayal of trust? ]]> Thu, 06 Feb 2020 03:24:13 CET https://fullfamilyincest.com/video/5035/a-betrayal-of-trust/ https://fullfamilyincest.com/video/5067/cock-slut-conditioning/
A young teen, Kaylee (Carolina Sweets), is getting ready to go out. Her parents, Leo (Derrick Pierce) and Diana (Chanel Preston), seem wary and uncomfortable as Kaylee excitedly announces that she's going out with Chad. It's their three-month anniversary and she thinks he has something special planned. Leo seems to be at a breaking point as he shakes his head. 'No, I'm not going to sit idly by anymore while our baby girl dates that piece of shit! Kaylee, what the HELL are you doing?' 'You've been on my case about Chad ever since we got together! Why can't you be happy for us??' Kaylee demands of both of them. Diana tells Kaylee that they're just worried about her. Chad is older after all, and they're worried he's been a bad influence on her. 'We're in LOVE, why can't you see that? He's THE ONE!' Kaylee responds. 'You're only 18, there's no way he's 'the one' for you!' Leo says angrily. 'Daddy, I'm not your baby girl anymore. You gotta let me go,' Kaylee sneers. Both Leo and Diana are stunned, though they don't get a chance to respond before there's a knock on the door. Diana and Leo watch as Kaylee bounces to the door and opens it, revealing Chad (Dean Van Damme). 'Hey, cutie!' Chad greets, as he grabs and hauls her in for a smooch, which is filthy and shameless. Kaylee melts into the kiss, not ashamed of acting this way in front of her parents. Leo confronts Chad, stepping forward with anger. 'It's bad enough you're dating my daughter, but to behave like this under our roof...!' 'Daddy! Leave him alone,' Kaylee speaks up. Leo barks that a guy like Chad only has one thing on his mind... Chad retaliates and insults Leo, which results in a physical altercation between them. Kaylee, blinded by her infatuation, takes Chad's side. Chad grins and puts an arm around Kaylee as he opens the door, telling her to come with him. Leo and Diana call for her to come back but their words fall on deaf ears. Kaylee heads out the door. 'I'm gonna make you both so sorry you did that, just you wait... ' Chad says smugly as he grins sinisterly and ducks out the door, leaving Leo and Diana stunned. TITLE PLATE Three weeks have passed since Kaylee's left home. Leo and Diana are looking at updates on Kaylee's social media when they hear the front door open. They rush to the door and discover Kaylee, distraught. She tearfully admits that they were right to be suspicious of Chad all along. 'Did he hurt you?? Did he keep you there against your will?' Leo demands. 'No! No, of course not dad, no, it's not like there was anything stopping me, but it took me so long to work up the courage... But tonight, he went to play a gig at some dive bar, so I... left. I just... opened that door and didn't look back, and... here I am. God, it's all a blur,' Kaylee says. Leo is furious and wants to get the police involved, but Kaylee convinces him not to. Later that evening, the family tries to relax and recover. There is a knock on the door. Everyone is instantly tense. Finally, we hear Chad on the other side, saying, 'Kaylee? It's me, come on, I just want to talk!' Leo aggressively confronts Chad at the front door, though Chad insists that he's just there to talk to her. Leo doesn't want to let him in, but does so when Kaylee convinces him to. Chad moves inside to the living room, claiming that he was worried about Kaylee and just wanted to see WHY she'd run off. 'You KNOW why!' Kaylee exclaims. 'You're not who I thought you were! You- you-' she starts, but is too ashamed to continue on in the presence of her parents. 'Chad, look what you DID to her!' Diana utters as she tries to comfort Kaylee. Now Chad's expression gets darker as he grins. 'Did to her? Hah. I turned her into a nice little cock slut, that's what I did to her,' he announces, much to the horror of everyone there. 'Is this some kind of sick GAME to you?' Kaylee tearfully gasps. 'Oh, sweet Kaylee, so naive. You were always so eager to please, so it really wasn't hard to condition you.' 'Condition me? What are you talking about?!' Kaylee asks, confused and disgusted. 'You don't remember?' Chad teases. 'Well of course you don't, I conditioned you not to.' 'Kaylee, what the hell is he saying?' Leo asks her. 'I don't know, Dad!! I don't know what he's talking about!?' 'You're upsetting her, just leave us alone!' Diana frets. Chad ignores her and continues. 'Sweet Kaylee... I have you wrapped around my little finger -- or my big cock, rather. Even though you hate me now, I can have you over here on your knees in a heartbeat. All you need is the trigger.' 'You're DELUSIONAL! You didn't-... I never-' Kaylee protests almost in tears. 'Delusional? See for yourself!' Chad says with a smirk as he whips out his cock. As Leo and Diana look on horrified, Kaylee becomes inexplicably hungry for sex. As if a switch has been flipped, she shamelessly sucks Chad's cock in front of her parents. 'I'm his good little cock-slut,' Kaylee says happily, not hesitating to take his cock and lick it, lavishing it with attention. Her parents are disgusted and confused, yelling some more, but when they try to grab her shoulder to drag her away from Chad, Kaylee shrugs them off and hungrily goes back to giving Chad head. Chad brags about how easy Kaylee was to condition for sex. He encourages her parents to stay and watch them have sex to humilate everyone there. At a complete loss but also wanting to be there for their daughter, they very reluctantly sit nearby. Leo hugs Diana close, putting her head to his shoulder, their faces grimacing in agony as they watch their sweet daughter become the greedy little cock-slut that Chad conditioned her to be... ]]> Sat, 27 Jul 2019 03:35:50 CEST https://fullfamilyincest.com/video/5067/cock-slut-conditioning/ https://fullfamilyincest.com/video/5139/swapping-daughters-the-other-family/
Scene opens on a young girl, Becky (Maya Kendrick), who sits in the back of a car. She looks excited and anxious to get out of the car. The car pulls up to a flawless suburban home with a perfectly manicured lawn. Outside, three people stand. These are the members of the Darling family: husband Doug (Mr. Pete), wife Doris (Dee Williams) and son Davey (Seth Gamble). Becky smiles when she sees them. The three stand in a perfectly straight line and have the same exaggeratingly welcoming smile on their faces. They wave in unison and are all dressed in similarly preppy fashion with matching colored clothing. As the car pulls into the driveway, Becky notices the odd way they're waving and her smile falters for a second as she regards them skeptically. But she seems to push her worries aside immediately and regains her smile. The car pulls to a stop. Becky thanks the driver and hops out excitedly. She must be Becky!, Doug says enthusiastically. Yes, Becky confirms. Doug introduces himself and presents his wife and son. Doug asks Davey to get Becky's bags from the car. Davey goes to get the bags. Welcome to Canada, they are so happy to have her here!, Doris says brightly. Becky says that she's happy to be here for her cultural exchange, and it's not nearly as cold as her parents said it would be. Yes, people tend to exaggerate about the climate here, says Doug. 'We don't all live in igloos you know!' Doug adds with a laugh. Why doesn't he take Becky's bags upstairs and show her her new room?, Doug suggests to Davey. She arrived just in time for dinner, Doris says. Dinner is every night at six o'clock SHARP, Doug says firmly. 'And no matter what we are doing, we ALWAYS come home for family dinner at six. NO. EXCEPTIONS.' Doris says, with an oddly insistent edge. She'll see that there are many...family rules, but these rules just make them closer as a family, Doris says. 'Isn't that right sweetie?' she asks Davey. Yes Mother!, Davey answers energetically. Becky catches that and laughs nervously. Well, they'd better get Becky's bags upstairs, dinner will be on the table soon!, Doris says. They'll take care of paying for the cab while Davey takes care of Becky, Doug adds. As Davey walks Becky up the driveway into the house, they chat. Um... is everything as...strict as they just made it sound?, she asks with a nervous chuckle. Yeah, Mom and Dad just like things done a certain...way, Davey says. She'll get used to it, he adds. He thought it was a little weird at first too, he says. He was 15 when his dad married Doris, but it's been four years now and he's totally used to all their little rules, he adds. 'And trust me, once you get used to them, you'll LOVE it here. I know I do,' he says with a chuckle, as his eyes look Becky's body up and down. Becky laughs nervously. Cut to the dinner table, where the four sit with their meals in front of them. The three Darlings, virtually in unison, fold their napkins and place them onto their laps. Becky looks on, a quizzical expression on her face, but a moment later, follows along, placing her own napkin on her lap. So Davey showed her her new room?, Doug asks. Yes, it's great!, Becky says happily. Before they can continue their conversation, Doris lightly taps her glass with her fork, getting everyone's attention. It's time to say grace!, Doris announces with a smile. The three Darlings join hands, but Becky hesitates. Is there a problem dear?, Doris asks. Um, no, she just...isn't used to saying grace, Becky says, smiling awkwardly. Well, in this family, they give thanks before every meal, because in life, there is so MUCH to be thankful for, Doug says earnestly. And since Becky's a part of this family now, it's important that she takes part in this, Doug adds, again offering his hand for Becky to take. Becky smiles nervously and takes Doug's hand and with her other, grasps Davey's outstretched hand. Doug begins by saying that they are thankful for the meal that they are about to receive, they are thankful for their health, and...they are very thankful for Becky, the newest member of their family. When he says 'newest member of their family', all three Darlings turn their heads to look at Becky with unblinking grins. Just as when he married Doris and she became Davey's mother, they have formed a new family, Doug continues. 'We are thankful to be blessed with this young woman, who will be taking part in all of our...family traditions,' Doug adds. As Doug is saying this, Davey's fingers begin to rub Becky's palm. Feeling this, her eyes open with mild surprise. She looks at Davey, who stares at her. He slowly licks his lips. She subtly tries to take her hand out from his but Davey grips her hand harder, preventing her from pulling away. Becky looks towards Doug, who stares back at her with a blank smile. To Becky's growing alarm, Doug licks his lips. Becky looks toward Doris, who is also staring at her and licking her lips hungrily. She looks around in disbelief at the three of them as they stare back at her. CUT TO TITLE They begin to eat. Soon, there is a buzzing sound under the table, coming from where Becky is sitting. She takes her cell phone from her pocket, apologizing. 'Davey, didn't you tell Becky about our cell phone rule?' asks Doris, staring angrily at Davey. No Mother, he didn't, he says, hanging his head in shame. Doris turns to Becky, her fury replaced by a manufactured smile and an artificial sweetness. 'Dear, we don't allow cell phones or any other gadgets like that in this house. We don't even own a television or a computer actually. Those kinds of things are nothing but...distractions. And we don't want ANYTHING distracting us from each other, because family...comes first, isn't that right gang?' Doris says, smiling her sickly sweet grin. The Darlings all smile back at her and say that's right. Oh um ok, well, she'll put her phone away then, Becky says. Oh no dear, she'll have to give her phone to Doug for safekeeping, Doris says with a smile. Becky hesitates. They really want her to give her phone to them?, she asks incredulously. Oh yes, Doris says with a smile. It's for the best, adds Davey with the same smile. But what about emergencies?, Becky asks softly, clearly becoming weirded out. 'Well, aren't you going to be spending all your time with us?' Doris asks. Yes, she sure is, and they'll make sure that NOTHING bad happens to her, Doug adds, putting out his hand for her phone. Becky hesitates for a moment longer and finally, slowly puts her phone into Doug's hand. Cut to a few days later. The family is in the living room, enjoying a game of charades. The family plays a few rounds. When it is Becky's turn to act out, she acts out the phrase 'rowboat' successfully. The family congratulates her. Despite the weirdness of the first night's dinner, this wholesome family game seems to be helping Becky relax. Next, it is Davey's turn to act out the clue. He looks at the slip of paper and seeing what it is, smiles mischievously. He gets up in front of the couch, and the family watches him. He begins to squeeze imaginary breasts, staring at Becky as he does so. Becky shifts uncomfortably, looking away. Davey's parents don't see anything sexual about it at all and eventually, Doris guesses 'arthritis' enthusiastically, seemingly interpreting his squeezing motion as him stretching his arthritic hands. That turns out to be the correct answer and the Darlings cheer. Can he PLEASE go again?, Davey asks with a smirk. That was too easy and he wants a real challenge with a harder clue, he adds. Well, they ARE just playing for fun and aren't even keeping score, so she doesn't see why not, Doris says. Super!, Davey says, choosing another slip of paper. He thinks for a second and begins to mime what can only be licking a pussy, flicking his tongue obscenely in the air as he spreads an imaginary pussy with two fingers of each hand. Again, he stares at Becky as he does it. She is getting increasingly uncomfortable and looks to Doug and Doris for assistance. But they are really into the game, still seemingly not noticing the sexual nature of Davey's actions, and don't even look at Becky. Oh wait, he knows this one, he does this ALL the time, Doug says before guessing 'licking an envelope.' The Darlings again celebrate the correct answer while Becky looks on, outwardly disturbed now. After a moment, Davey again pleads with his parents to let him go one more time. Doug is unsure, he tells Davey he should let other people have a turn, but Davey almost begs him and he finally relents. But this is the LAST time, Doug adds firmly. For sure Dad!, Davey says and grabs another slip of paper. He grins and thinks for a moment. He begins to thrust his hips as if he's fucking. He then mimes a slap, as if he's slapping the ass of the person that he's fucking. Again, he stares at Becky, grinning a lustful grin. Becky looks again at Doug and Doris for help, but they don't pay attention to her. They are just happily guessing, playing the game. This is too much for Becky now. 'Um HELLO?!, don't you see what he's doing?!' she asks Doug and Doris incredulously. Davey stops his actions. What does she mean?, Doug asks Becky. 'He's...he's acting out...you know...sexual things...and...and staring at me,' Becky says. Dear, he's CLEARLY riding a horse, Doug says patiently. Isn't that right Davey?, Doug asks his son. That's EXACTLY right!, Davey says indignantly. Oh come on, they can't SERIOUSLY believe that!?, Becky says to Doug and Doris. Well, if that IS what happened, it's certainly no cause for fighting, Doris says. 'He just got a little carried away is all, and you can hardly blame him. He's a competitive boy, that one!' Doris adds with a little laugh. Oh what does it matter anyway, Mom?!, Davey asks. She's going to find out soon enough what's REALLY going on,' Davey adds, a mean-spirited smile on his face. 'David Darling, don't you say ANOTHER WORD. Go to your room, young man,' Doug says instantly. Davey huffs off. Becky is puzzled and feeling very uncomfortable. Um, what was Davey talking about when he said 'what's really going on'?, Becky asks cautiously. Oh nothing Becky, she knows how boys his age like to joke around, Doug plays it off. Is he sure about that?, it didn't really seem like a joke, Becky probes skeptically. Doug and Doris exchange a conspiratorial glance between them. Becky sees this glance. 'Please, just tell me, you're freaking me out,' she says. Well, they were going to wait until she was fully settled in to tell her, but now Davey's gone and spoiled that, so they may as well explain, Doris says. Is she sure Becky can handle it?, Doug asks Doris. 'Well, I guess we're just going to have to have a little faith in her', Doris says, running a hand through Becky's hair. Becky recoils slightly. This is starting to scare her, can they just tell her what's going on?!, Becky pleads. Okay honey, she'll do her best to explain it, Doris begins. Well, her husband, like many men, like many...fathers, has certain...urges, certain...proclivities, Doris continues. And as part of dealing with these urges, Doris and Doug are members of an online group, a...support group of sorts, where other fathers with the same tastes can...help each other, Doris continues. What kind of...urges is she talking about?, Becky asks fearfully. Let's call them...appetites, Doug offers. His...appetites are---well, most people would frown upon these kinds of appetites, since they involve...his daughter, Doug continues. Hearing this, Becky's eyes go wide. 'Your daughter...wh-what did you do to your daughter??, Becky asks fearfully. Oh don't worry, she's absolutely fine and completely safe, Doris explains soothingly. Becky, these urges that they're talking about are perfectly natural, Doris says, smiling sweetly. But Doug would NEVER act on these urges with their own daughter, Doris continues. 'Which is why we made an...arrangement with your parents,' Doug continues. What the fuck is he talking about?, Becky asks with horror. They made an arrangement that when each of their daughters turned 18, they would...perform an exchange, so that each family could...satisfy their unique appetites, Doug says. 'S-stop, I don't want to hear any more of this! You guys are a bunch of sick fucks and I'm getting the hell out of here, I'm going home to my parents,' Becky says angrily. 'Give me my phone NOW!' she practically yells at them. He's afraid that's not possible, Doug says. Her phone is in a safe place, but he can't give it to her, he adds. 'Those are the rules of the house, young lady, and as long as you're part of this family, you WILL obey those rules,' Doug says firmly. 'I'm NOT part of your fucking family, asshole!' Becky fires back. 'Becky, that's no way to talk to your father!' Doris scolds Becky. 'My FATHER?!' Becky asks in disbelief. 'You guys are NUTS, I am fucking LEAVING,' Becky adds, moving to exit the house. Where does she plan on going at this time of night?, Doug asks. Where she goes is none of his business, she's going to call a cab and get out of here, Becky says indignantly. With what money?, asks Doug. What is THAT supposed to mean?!, Becky asks. 'Well, sweetheart, your bank accounts and credit cards have all been canceled, of course,' Doris says with sickening sweetness. What?, Becky asks with disbelief. 'Those people who you used to call your 'parents'? Well, they don't want you anymore sweetie. Don't you see?' Doris says. 'You're OUR daughter now,' Doug says, smiling. No!, Becky screams, running away in horror. We hear a door slam. Sounds like she went up to her room, Doug says to Doris. Yes, let's let her rest, it's been a tough night, Doris says. Yes it has, and they should get some shut-eye too. Cut to later that night. From the hallway, we see Becky's bedroom door opening quietly. Becky pokes her head out, looking up and down the hall. It is dimly lit and quiet. Everyone seems to be in bed. She sneaks out of her room, careful not to make any noise. She creeps into the living room, constantly looking over her shoulder to see if anyone has heard her. She is very nervous. She begins to quietly look through the drawers of a cabinet that is in the living room. She doesn't find what she's looking for and seems to be getting increasingly frantic as she goes through drawer after drawer. 'Are you looking for this?' Doug suddenly says, making Becky jump in surprise. He emerges from the shadows of the hallway, holding Becky's cell phone in his hand. Becky's jaw drops and she says nothing. Take it, Doug says, offering the cell phone to her. She narrows her eyes suspiciously. 'No tricks, just take it and call your parents, then you can finally understand and maybe might calm down a little,' he says. She thinks for a moment before approaching Doug, quickly snatching the phone from his hand. He sits on the couch patiently. She frantically dials a number. No answer. She dials it again and again, but still nothing. 'Do you understand now Becky?' Doug asks from the couch. She's stunned. They didn't answer, did they?, Doris says, emerging from the hallway. Becky is startled by her sudden arrival. No, Doris knows they didn't, and that's because her old life is over, Doris continues, sitting next to her husband on the couch. 'Your new life is here Becky, and you need to accept that,' Doug says. Please, come and sit down, Doug says, patting the couch next to him. Becky seems almost broken by her parents' rejection and sits down heavily without protest. As part of her new life as a family, as they've told her, there are certain rules, and one of those rules, is that they need to have...family time, Doris says as Doug begins to lightly play with Becky's hair. And family time means being together...as a family....in EVERY way, Doug says, laying his hand on Becky's lap. At this, Becky snaps out of her daze. No, no, she won't be part of their disgusting games, she says, though she doesn't seem to muster up as much energy. She's going to leave, and call the police, she says, as she begins to dial on her phone. And what exactly is she going to tell them?, Doris says. No one has done ANYTHING wrong, Doris continues. And she's so far from home, with no money...and no home to go back to, Doug says. At that moment, Davey walks in, rubbing his eyes groggily. What's going on?, he asks. Oh, they're sorry for the noise, they're just having a family...meeting, Doris says. Ooh, he LOVES 'family meetings', Davey smiles naughtily, shooting a glance at Becky as he pokes his tongue crudely in the corner of his cheek in a classic 'giving a blowjob' gesture. His parents seem to ignore it and Becky looks away in disgust. 'We were just telling your new sister that she has nowhere to go, so she might as well start following the house rules,' Doug tells Davey. Dad's right, and believe him, the house rules aren't so bad at all, Davey says. 'When I became his mother, Davey had some...difficulties, but eventually he got into the swing of things, isn't that right sweetie?' Doris asks Davey. That's right, Davey grins, licking his lips as he looks at Doris. 'And when I finally had a taste of Mom's goodies, I couldn't BELIEVE what I had been missing,' Davey adds, leering now. ]]> Thu, 14 Mar 2019 04:04:07 CET https://fullfamilyincest.com/video/5139/swapping-daughters-the-other-family/ https://fullfamilyincest.com/video/5121/the-prodigal-daughter/
SCENE OPENS on Bryce (Derrick Pierce), Kim (Dee Williams), Darryl (Brock Slayden), and Rhonda (Venice Rose), all waiting anxiously in a living room. Bryce and Kim are excited and nervous. Kim says she can't believe this is happening after all this time! Bryce kisses his wife's forehead lovingly. He says that he can't believe it either -- their little girl is coming back to them! They have a second chance to be a family -- it's almost too good to be true. 'It IS too good to be true,' Bryce's brother, Darryl, speaks up. His expression is suspicious. His wife, Rhonda, is standing nearby and looking worried as well. 'SOMEONE has to be the voice of reason, so it may as well be your brother. Your little girl went missing 12 years ago. No one turned up ANYTHING! Not the cops, not the FBI -- NO ONE. And now Scarlett suddenly pops up out of nowhere?' Darryl states. At that moment, the doorbell rings, and Bryce and Kim answer it excitedly. A teen, Scarlett (Jane Wilde), waits on their doorstep with a police officer, announcing that she's the daughter they've been looking for. As they greet each other, Scarlett avoids talking about her past, though her parents don't seem to find it suspicious. Darryl and Rhonda are even more suspicious of Scarlett, and she seems to recognize that they are a threat to her plan. Kim says that she'll show Scarlett to her room. 'That'd be great... Mom,' she says. Yet, as they head off, Scarlett gives one more cautious look back to Darryl and Rhonda. When Kim and Scarlett leave the room, Bryce gets even angrier at Darryl when Darryl tries to warn him again. Exasperated that he's not getting through to his brother, Darryl and Rhonda leave the house. A week later, Bryce returns home from work and overhears Scarlett having a suspicious conversation that signals she may not be who she seems. Scarlett hears him listening at her door, asking if there's anybody there? Bryce makes himself known by opening the door and acting like nothing is wrong. She lies and tells him that she was napping. Bryce knows that isn't the truth, so he looks a bit taken aback as he tries to recover. He says that she should wash up because when Mom gets home shortly, they're going to go out for dinner. Scarlett starts to double-down on her deception, trying to resort to sexuality to find out what Bryce knows, but their confrontation is interrupted by Kim coming home. 'Ahh, that's your mother. I'll leave you to get ready for dinner,' he says as he leaves the bedroom. As he slips out, Scarlett's expression becomes worried and dark. Downstairs, Bryce quietly talks to Kim, sharing that he's worried something is amiss with Scarlett. Kim looks more anxious now, asking if he thinks Darryl and Rhonda are right? 'Right about what?' Scarlett suddenly speaks up, appearing behind them. She's still trying to look innocent, but there's something more sinister about her now as she approaches them. 'You ARE our precious Scarlett, aren't you?' Kim asks, her voice trembling as she grips Bryce more tightly. She hugs herself, putting on a show, and says that when she was six and on a playground, she was... taken away by a man and woman. They claimed they were friends of Bryce and Kim's, and that they were there to take her home. But... they never took her home. She'd repressed it for many years but then started to wonder when she was a teen where she came from. Then, just after she turned 18, she finally found a story in an old newspaper at the local library about a missing child. When she saw the picture, she knew it was HER. That's how she got Bryce and Kim's names, and, well, here she is, after all this time... Bryce questions what Scarlett was wearing the day she went missing. Scarlett accurately describes the clothes that were mentioned in articles about the missing child. But Kim asks more specifically about a necklace, which Scarlett stumbles over. Faced with no other choice, Scarlett finally admits that she's not their real daughter. Kim chokes back a sob and Bryce shouts at Scarlett to get the fuck out of their house before they call the cops! Scarlett is unmoved and unafraid, saying that wasn't the past week the best week of their lives? 'That was when we thought you were our child! Our flesh and blood!' Kim cries. Scarlett continues to manipulate them, trying to get them to accept them as their daughter to live out their fantasy of having a real family. She's more than happy to keep this up and build a life with them, although it'd be nice if there were some... extra perks... with the arrangement as well. As she says this, she traces a finger along Bryce's arm, looking at them with more seductive eyes. They're very beautiful people -- it's a shame she never got their genes. Bryce and Kim are horrified and reject Scarlett. She presses on, breaking them down by threatening to lie to the police and tell them that Bryce and Kim were the ones who kidnapped her and were keeping her locked in their basement for all these years. Bryce and Kim seems to be breaking down now, at a loss for what to do. Scarlett takes this time to feel them up a little, though she works it into a hug, squeezing them close. 'So, what will it be?' Bryce and Kim look at each other, broken. Kim swallows hard and nods briefly. Scarlett looks pleased and says that they made the choice, so now it's time to seal the deal with a little something extra. A little fucking around in exchange for their family name to be carried on for generations to come? That's nothing, right? It might feel wrong at first, but Mommy and Daddy will learn to like fucking their prodigal daughter soon enough! ]]> Tue, 05 Mar 2019 03:56:32 CET https://fullfamilyincest.com/video/5121/the-prodigal-daughter/ https://fullfamilyincest.com/video/5114/face-to-face/
"Scene opens on the interior of a car. A young woman, Lois Brown (Whitney Wright), is the sole occupant and driver, and we watch over her shoulder as she pulls up to a house. She stops the car and turns it off. The camera pans down to see that her hands are shaking. She takes a deep breath, steadies herself. 'You can do this,' she says to herself and gets out of the car. She walks up the driveway to the door of the house and hesitates another moment before ringing the doorbell. After a second, the door opens and a man, James Stinson (Michael Vegas), stands there. He looks at her, appraising her in an almost predatory way. 'You must be Lois?' he asks with a tone of wary caution. Yes, and he must be Mr. Stinson, Lois says with a polite and professional smile. Oh, she can call him James, he says. A bit young for a reporter, no? She flashes him a polite, detached smile and says maybe, she's 22 but people always say she has an old soul. He nods and then realizes he's still blocking the doorway - But where are his manners? Please, come in, he says, waving her in. She follows him into the house, a modest, clean and well-kept abode. So where does she want to do this?, he asks, a hint of discomfort creeping into his voice. Wherever he feels comfortable, she says politely but not warmly... how about the living room?, she suggests. He agrees and they sit down in the living room. He takes a seat and she sits in a chair across from him with a table between them. She takes out her cell phone and opens up a voice recording app. Does he mind if she records this?, Lois asks. No, please do, he doesn't want to be misquoted, he's had enough of that - he chuckles, not because it was funny but to fill the awkward silence following his comment. Great, she says after a pause, pressing the record button on the app and places the phone on the table between them. 'So let's start with the obvious: why now? Why grant your first face-to-face interview to a small college newspaper after all this time not speaking to the press?' Lois asks. He considers the question. Well, it's simple: in all this time, she's not the first reporter to call him on the anniversary of the crime, but she IS the first reporter to call him and tell him that she believes he's not guilty, and offer to tell his side of the story, he says. But he WAS acquitted of the crime he was accused of, so what guilt is he referring to?, Lois probes. As she knows, the case was all over the news, day and night, and even though he was found not guilty, most people believe that he is guilty and the verdict was wrong, James says. Guilty until proven innocent in the public eye, he says bitterly. And he's never been able to shake that stigma, people just don't look at him in the same way since then, he adds resentfully. It's a lonely existence. 'Maybe we can try to dispel some of that stigma once the public hears your side of the story. So I ask you, on the record: Are you guilty?' Lois asks. He smiles sadly back at her. 'Am I guilty?' he asks her. He takes a deep sigh. There is a tense moment of silence. Once again, something dark and predatory flashes across his face. 'Yes...I am,' he says, his smile gone. CUT TO TITLE PLATE Resuming the interview, Lois looks stunned at James's admission. 'I am guilty...guilty of being in the wrong place at the wrong time,' James clarifies. He happened to be at the club that night, and he happened to be the last person seen with... James says, trailing off, blanking at the victim's name. 'Darlene Davis,' Lois says, enunciating the name carefully. Yes that's right, it was a long time ago...and he has tried to put the whole episode behind him, being at the club that night, being at the wrong place at the wrong time...that ruined his life, James says. So how does he explain Darlene's DNA on his shirt?, Lois probes, adding that the police claim that this happened during the crime. The same way he explained it to the police, with the truth: she had a nosebleed when she was dancing with him, James says. But the press got a hold of that and used that to assume his guilt, he continues. What they didn't bother to report was that she was a known substance user prone to nosebleeds, he says. 'When they came to interview you because they saw you on the club's security footage, you consented to them searching your home, where they discovered the shirt with DNA evidence, which then led to your arrest and trial. If the DNA on the shirt was from an innocent nosebleed as you claim, why didn't you just tell the police about it instead of hiding the shirt for them to find, and for that matter, why did you consent to the search in the first place if you had evidence hidden away that would incriminate you?' Lois asks. Well, because he didn't feel that he had anything to hide, James says smoothly, for example why would he even think that shirt was evidence to a crime at the time unless he was the one who committed it? When he left the woman, she was still alive. But, she continues, if he had nothing to hide, why did he initially lie to the police about where he was after the club that night?, Lois asks skeptically. He didn't have an alibi that night, he just came home alone, and he's seen enough movies to know that it's really easy for cops to pin something on someone who can't account for their whereabouts, so he told them he went to get a burger instead, James says. Stupid mistake, he says regretfully. A stupid mistake that he's replayed over and over in his mind every day since then, he adds. But he can see why that story sounds a little thin right?, Lois asks. Especially since the route he claims to have taken home from the club that night is the least direct way to get home and HAPPENS to be one that doesn't have traffic cams in that area of town, she adds. He looks at her silently. Can she turn off the recording for a moment please?, he asks softly. Oh um, yes, sure, Lois stutters, caught off guard. She turns it off. Lois...he thought that this interview was going to give him the opportunity to shed some light on his innocence, so why does this feel like the same old assumption of guilt that he's used to?, he asks, leaning close to her, resting his elbows on his knees in a vaguely threatening way. 'Because if this is just about pushing my guilt, if you're hiding something from me...we're going to have...a problem,' James says, that same carnivorous look crossing his features again. Lois shifts in her chair nervously. No...it's not about that at all, even though she believes in his innocence, she still has to do her job and ask all the tough questions, she says anxiously. There is a tense moment while he considers her answer. Ok..let's keep going then, he says finally. Lois exhales sharply and resumes recording. So getting back to the night of the crime: to help clear up any misconceptions, why doesn't he recount that night for her?, Lois suggests gently. Well, he was in the mood to go out, but all of his friends were busy, so he decided to go to the club alone and that's where he met Darlene; they danced for a little while, and then he went home, alone, James says quickly. There's really not much more to explain other than that, he adds. And what was Darlene like?, asks Lois, He doesn't really remember, he only danced with her for a short time and didn't really get to know her, he answers. So he didn't get a sense of her AT ALL?, a sense of what...Darlene was like?, Lois asks. Was she kind, did she seem happy? Why the great interest in Darlene?, James asks, his brow furrowed in suspicion. Just trying to get a sense of the victim is all, Lois says quickly. Hmmm, well he can't really help her there because like he said, he didn't get to know her, James says. But she did have a reputation around the neighborhood, she was known as kind of...he doesn't want to be rude here but...kind of a whore who would do ANYTHING for a fix, he says offhandedly. Upon hearing this, Lois looks a little rattled. At the time, some people were even saying that she...got what she deserved, James says softly. Lois looks a little sick when she hears his last answer and abruptly excuses herself, saying that she has to use the bathroom. In the bathroom, she splashes water on her face and pats it down with a towel, regaining her composure. Keep it together, almost there, just this one last thing to do, she says to herself, breathing heavily. She takes another moment to steady herself, draws in a deep breath and exits the bathroom. Back in the living room, she goes to sit beside James on the couch. She apologizes for rushing out like that, adding that it must have been something she ate. He tells her not to worry about it. She smiles. What she would like to do now is shift gears and get...inside his head a bit, she says. Is that why she came to sit next to him, because things are about to get...personal?, he asks, with a slightly nervous edge as he looks away from her. Would that be ok?, she asks. He's not sure if getting personal is...a good idea, he says, looking back at her as a sinister expression invades his features for a moment. It passes quickly. Lois clears her throat. She's sure that this is best for the interview, so...is it ok if she continues?, she asks patiently. He nods. Ok, so when he was accused of this horrible crime, how did that make him feel?, she asks. Well...he felt...scared...angry...alone, James says slowly. She can relate, her mother passed away when she was a little girl and she can remember the intense feelings of isolation, like she was the only one in the world who felt these things, Lois says sympathetically. He is surprised to see her turn off the recording. And there were other feelings, other, more...disturbing thoughts that she had that made her feel even more alone, she continues. It was like a...darkness growing inside of her, and it scared her, but she didn't want to run away from it, she wanted to run towards it, she continues. She looks at James in the eyes. 'I think you know exactly what kind of...darkness I'm talking about,' Lois continues softly. 'You share that same darkness inside of you, don't you James?,' she asks. And he acted on that darkness, Lois says. James finally catches on. Does she think that he IS guilty?!, he asks looking betrayed. He thought---James starts, but Lois cuts him off. She doesn't THINK anything: she has ABSOLUTELY no doubt in her mind that he is guilty of this crime, Lois says. What the fuck--he knew this had to be bullshit, she's just like all the other reporters, James says, getting up from the couch in frustration. That's just it, she's NOT like all the other reporters, Lois says... in a sense, she became a reporter just to get to this moment. To speak with him. Sure, she lied to him about believing that he didn't commit the crime, but she knew that was the only way he'd agree to meet her, and she NEEDED to meet him face to face, she feels that there is a connection, a...bond between them, Lois continues. He didn't- he begins. She waves him off. There's no need to put on any masks anymore, he can be his true self around her. She's here because she wants him to tell her---no, SHOW her, everything about that night, Lois continues breathlessly. She seems to be getting turned on as she speaks, but she exhales sharply as she finishes her last sentence, betraying a nervousness underneath her bluster of passion. This nervousness passes almost immediately, and James is too distracted to notice the subtle inconsistencies in Lois's demeanor. What kind of a sick fucking fantasy is this?! James asks incredulously. It's no fantasy, it's what she came here to share with him, Lois says. No, he can't do that, James says, shaking his head. Please!, Lois says fiercely, grabbing at his shirt. She needs to know!, Lois says feverishly, practically banging on his chest. He pulls her hands away from him. Stop this!, he says, resisting. 'SHOW. ME.' she enunciates firmly, bringing her face inches away from his. He can't resist anymore. 'Is this what you want?! Is THIS WHAT YOU WANT?!' James yells, ripping her blouse open roughly, the buttons hitting the floor. 'Yes, oh god yes,' gasps Lois. As he tears her clothes off and buries his face hungrily in Lois' pink pussy, Stinson unleashes his inner-maniac. Will Lois get more than she bargained for? Maybe...but what James doesn't know is that Lois has a secret of her own..." ]]> Tue, 15 Jan 2019 03:55:23 CET https://fullfamilyincest.com/video/5114/face-to-face/ https://fullfamilyincest.com/video/5125/not-who-she-seems/
SCENE OPENS to Marcy (Natasha Nice) walking up the steps of a home, a backpack slung over her shoulder. Dylan (Mickey Mod), a young man in a business suit, opens the door and greets Marcy. Marcy is warm and bubbly, and cute to boot, introducing herself to Dylan, asking if he's the cool dude that's hosting her. Dylan, a little flustered with this attractive and inviting young woman, cheerfully says that that's him! He welcomes her inside, telling her that although they used a couchsurfing-slash-couch-crashing app, she doesn't actually have to stay on the actual couch. He has a guest room that she can use. Marcy is pleased for the guest room, and follows along as he leads her to it. However, when Dylan's not looking, she shiftily looks around, as if making note of where everything is. Once she's shown to her room, Marcy giggles and hugs into Dylan, thanking him for letting her stay. It's so hard on the Internet since nobody's as they seem. Dylan's a little bashful at the attention. After they pull away, he says he'll leave her to get settled and that he's in the kitchen if she wants anything. He then leaves her be. As he does, Marcy's smile fades. She takes out her cellphone, and texts 'I'm in!' to someone, then grins. TITLE PLATE CUT TO Marcy joining Dylan in the kitchen, sneakily taking pictures of Dylan's valuables along the way with her cellphone, including a fancy camera. She asks about the camera, saying that her boyfriend is a photographer. Dylan seems a little taken aback that Marcy has a boyfriend, though remains friendly. 'He doesn't mind you going off on adventures on your own?' he asks. 'Nah, I'm a big girl,' she responds with a flirty grin. As if fearing she might be saying too much, she turns her attention back onto Dylan, distracting him with small talk. Whenever he's distracted, she continues taking pictures of expensive belongings that are left out in the open. Dylan then realizes what time it is. 'Shoot, I'm going to be late,' he scolds himself, looking a little frantic. She playfully tells him to hurry up and get to work. He doesn't need to entertain her. She has plans for the day, anyway. 'Okay, if you're sure, although I'm happy to. Oh, that reminds me!' He grabs a spare set of house keys and gives it to her. 'That way you're not stuck here,' he says with a laugh. She smiles and thanks him for the keys, then cheerfully sees him off. As soon as Dylan's gone, she checks her phone again and sees a text. The words praise her on what she's taken pictures of so far and encourages her to check out the bedroom. Marcy makes her way to the bedroom, then begins checking drawers and closets. She sees a briefcase and opens it, but there's just some boring papers in there, so she closes it and continues on. Her eyes then fall on the bed and she hums with curiosity as she crouches down and peeks under. There's a box there that catches her attention. 'Jackpot!' Her eyes light up and she reaches beneath the bed to try and reach it, placing her phone beside her on the floor. She has to stretch her arm far, her fingers almost close enough to grasp the box when a strong voice booms behind her, 'What are you doing?!' Marcy recoils and kneels up, shocked to see Dylan in the doorway. He looks just as shocked, even angry. She jumps to her feet and lies, greeting him and saying that she lost an earring and was just looking around the house. Even as she says this, she's clearly nervous, stuttering a little. Dylan raises a brow and asks what the earring would even be doing in HIS room since she shouldn't have been in there. His tone is much more different, and he is no longer a friendly, bashful young man. Marcy is more nervous now, lying again and lamely saying that it could've rolled under his door... She's still trying to act sweet and bubbly, although Dylan is not swayed. She attempts to steer them away from the conversation and asks what he's doing back so soon? Dylan says that he forgot his briefcase in his rush to take care of Marcy. He gestures to the very briefcase that Marcy had looked through earlier. 'Funny, I don't remember it being open when I left,' Dylan says in a cold, knowing voice. Marcy tries to make more excuses, going on the defensive, though none of her arguments are convincing. In fact, they make her look even more suspicious. Dylan declares in a low, firm tone that there's more to this than she's telling him. What is she REALLY doing in his bedroom? She tries to bring up the earring again but is cut off by Dylan. 'Don't start lying to me again,' he interrupts her. Dylan then snags Marcy's phone and looks at the screen. 'LEO wants to know if you 'found anything valuable in the bedroom,'' he says mockingly. 'I don't know what you're talking about. You're misreading that. It's just my boyfriend checking that I made it here all right,' Marcy says. 'You were going to rob me, weren't you, you and this Leo,' Dylan states. While she still tries to defend herself, he starts calling the cops on her phone, saying, 'We'll just see what the cops have to say about this.' 'Please don't call the police. I can't go to jail, I didn't even do anything,' Marcy begs, now approaching him in a desperate attempt to woo him over again. She falls to her knees and paws at him, saying that no one was hurt, and she didn't even take anything. He can even look in her backpack to check for sure! She CAN'T go to jail. She'll do ANYTHING if Dylan just lets it slide. 'Anything?' Dylan questions in a way that sends shivers down Marcy's spine. She's in too deep to back out now, especially with freedom just at her fingertips. 'Anything,' she breathes. Marcy lets out a shuddery sigh of relief when he agrees and hangs up. She then asks what he wants her to do -- cook, clean? Dylan looks her over and says that she's a pretty woman, and smart, too, so she should be able to figure out what he wants from her in exchange for his silence. When Marcy realizes that he wants to fuck her, she is horrified -- she has a boyfriend! She rants and raves about how ridiculous the request is, but Dylan is calm and collected the whole time. In the end, he says it's her choice, though Marcy realizes that, with the options she's been given, it's hardly much of a choice at all. ]]> Thu, 27 Dec 2018 03:58:42 CET https://fullfamilyincest.com/video/5125/not-who-she-seems/